Day: June 17, 2019

Lynn Nottage’s “Sweat” at the Gielgud Theatre: Contemporary Americana

Posted by Aleks Sierz | 17th Jun 2019 | London, Review, United Kingdom, United States of America

The word “Rustbelt” is really eloquent in its evocation of industrial decline. After all, rust is...

Read More

“Yerma:” Visceral Obsession

Posted by Rem Myers | 17th Jun 2019 | Boston, Theatre and Gender, United States of America

In a new translation/adaptation by Huntington Playwright-in-Residence Melinda Lopez, Yerma,...

Read More

PQ 2019: The Golden Triga

Posted by Abigail Weil | 17th Jun 2019 | Czech Republic, Festivals, News, Prague Quadrennial 2019, Transcultural Collaborations

“Comrades,” said the woman in a loose zebra print dress and bright red lipstick, “this is not a...

Read More

Counterpoint Players – Timely But a Bit Overstuffed.”Omnibus Bill” Tackles Reproductive Rights

Posted by Patrick Langston | 17th Jun 2019 | Canada, Review, Theatre and Politics

When U.S. Vice-President Mike Pence lauded Donald Trump’s pro-life stance during his recent visit...

Read More

Vijaydan Detha’s Stories of Feminine Agency

Posted by Vikram Phukan | 17th Jun 2019 | India, Review, Theatre and Gender

The title of the Vijaydan Detha story, ‘Kenchuli’ literally means ‘the remains...

Read More

Moscow Theatre Prompter Talks About Her ‘Dying’ Job

Posted by Alexandra Guzeva - Russia Beyond the Headlines | 17th Jun 2019 | News, Russia

Nowadays, most theaters have stopped using prompters, but the Maly Theater cherishes this...

Read More

Hollywood Fringe Festival – “Twirly’s Traveling Tricks”

Posted by Christine Deitner | 17th Jun 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, Theatre and Dance, United States of America

Though everywhere you look in Hollywood, CA these days it seems more old school bungalows and...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026

Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest