Day: May 27, 2017

How Theatre Can Help Us Understand Donald Trump and Brexit

Posted by Hans-Ludwig Buchholz | 27th May 2017 | Switzerland, Theatre and Politics

When it comes to the chaotic policies of Donald Trump or the seeming irrationality of Brexit,...

Read More

Discipline and Perform: A Preview of Wig in a Box’s “Docile Bodies”

Posted by Willow White | 27th May 2017 | Adaptation, Canada, Devised Theatre, Theatre and Dance

Adapted from Michel Foucault’s seminal text Discipline and Punish, the collaboratively-written and...

Read More

To Stay or Not to Stay? That is The Question Posed by “Made in Mexico”

Posted by Margarita Vargas | 27th May 2017 | Adaptation, Mexico

Made in Mexico, an adaptation of Made in Lanús (1986) by Argentinian writer Nelly Fernández...

Read More

New Adaptation of “Woyzeck” at Old Vic

Posted by Aleks Sierz | 27th May 2017 | Adaptation, London, Review, United Kingdom

Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
Alan Ayckbourn’s Woman in Mind at the Duke of York’s… by Aleks Sierz 8th January 2026
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026

Recent Posts

The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest