Edinburgh Festival Fringe 2025 in 22 Shows
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Mert Dilek | 28th Aug 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Margaret Rose | 27th Aug 2025 | Edinburgh 2025, Review, United Kingdom
Writer-actor Alan Bissett’s When Billy met Alasdair imagines what happened when Alasdair Gray...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Essay, Theatre and Politics, United Kingdom
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Belgium, Edinburgh 2025, Review, United Kingdom
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Science, United Kingdom
Out of the many venues at the Edinburgh Fringe Festival, Summerhall Arts is one that shines for...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Australia, Edinburgh 2025, Review, United Kingdom
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Scotland, United Kingdom
The Edinburgh International Festival this year, welcomes several international trailblazers like...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, Scotland, Theatre and Gender
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, United Kingdom
Here at the Edinburgh Fringe, as well as Gary McNair’s A Gambler’s Guide to Dying, I caught the...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, Scotland
For this year’s Edinburgh Fringe Festival, the Traverse Theatre has, as usual, put together a...
Read MorePosted by Margaret Rose | 13th Aug 2025 | Edinburgh 2025, Review, Scotland
The expression ‘Athens of the North’, the title of the play in the present review, conjures up an...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025 
“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025