Milad Azarm

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Peter J. Chelkowski: A Life of Scholarship And Cultural Exchange

Posted by Milad Azarm | 4th Dec 2024 | Interview, Iran, Poland, Transcultural Collaborations

Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...

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Pari Saberi: A Pioneering Woman In Iranian Theatre Passes Away At 92

Posted by Milad Azarm | 1st Oct 2024 | Iran, News, Theatre and Gender

Pari Saberi, an influential Iranian playwright, director, novelist, translator, and actress, was...

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Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
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The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
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“Digital Access To The Performing Arts” Released Open Access 7th March 2026
Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück 5th March 2026
Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
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Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026

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