Jiřina Hofmanová

regional managing editor

j.hofmanova@thetheatretimes.com

Jiřina Hofmanová is a doctoral student at the Department of Theatre Studies at Masaryk University in Brno. Her main focus is the Czech theatre after WWII. She is currently writing her dissertation entitled Staging Chekhov at a Time of Normalization. She is also involved in theatre, reviewing since 2011. She has written for Czech and Slovak online and printed media (Literary News, Theatre News, Concretely About Theatre Etc). She was part of several festival magazines and she was also an editor-in-chief in some cases. One of the most meaningful experiences for her was when she was part of an international jury at the student theatre festival SETKÁNÍ/ENCOUNTER 2018 because of the constructive and democratic dialogue and sharing of experiences. Her biggest achievement has been to be an executive editor of another theatre reviewing website, Rozrazilonline, then shutting it down and creating a new one in cooperation with a colleague name, KriTh. The site was successfully passed on to the next generation in September 2018.

“The Petty Bourgeois‘” And “The Gambler‘s” Warnings About Anthropocentrism And Capitalism

Posted by Jiřina Hofmanová | 7th Feb 2019 | Czech Republic, Essay, Theatre and Politics

For the first article about Czech theatre, I’ve selected works by two young directors, who belong...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
“Figures In Extinction:” A Dance Trilogy Report by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz 17th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026
Poetry: The Realm Where Unrealized Ambitions Find… by Ivanka Apostolova Baskar 19th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026

Recent Posts

Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026
Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben” 8th April 2026
Lyle Kessler Receives Lifetime Achievement Award In Playwriting 7th April 2026
Everything In Programming Matters To Cultivate The Spectator`S Free Will 7th April 2026
David Yazbek: The Master of Adapting Films into Musicals. An Exclusive Interview 2nd April 2026
The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre 1st April 2026
Tim Crouch’s “The Tempest” at The Globe 1st April 2026
On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames) 29th March 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest