More than a half-century after World War Two, at the desperate urging of a passionate survivor, a young investigative reporter finds herself caught between numerous versions of the same story. Played out against the backdrop of deadline reporting and journalistic integrity, the critically acclaimed The Soap Myth by Jeff Cohen questions who has the right to write history — and what is our responsibility once we know the truth?

This post was written by the author in their personal capacity.The opinions expressed in this article are the author’s own and do not reflect the view of The Theatre Times, their staff or collaborators.