Day: March 11, 2026

Recent Posts

• The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre 1st April 2026
• Tim Crouch’s “The Tempest” at The Globe 1st April 2026
• On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames) 29th March 2026
• The 2026 International Ibsen Award: A Reflection On The Winner By The Committee 27th March 2026
• Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero 26th March 2026
• Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen 26th March 2026
• From Shakespeare To Contemporary Montenegrin Authors, I Aim To Connect With Society Through The Works I Choose 25th March 2026
• New York City Fringe Begins April 1 25th March 2026
• To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya 24th March 2026
• Waking Up in the Spotlight with “The Unusual Chauncey Faust” 24th March 2026