“Black Drop Effect:” Indigenous Voices Offering New Historical Perspective
Review: Black Drop Effect, directed by Felix Cross for Sydney Festival Aboriginal and Torres...
Read MorePosted by Amanda Harris | 29th Jan 2020 | Australia, Review, Sydney
Review: Black Drop Effect, directed by Felix Cross for Sydney Festival Aboriginal and Torres...
Read MorePosted by Karen Cummings | 29th Jan 2020 | Australia, Review, Sydney
We tell ourselves stories in order to live. – Joan Didion, The White Album Theatre can be many...
Read MoreReturning to Taiwan for the first time since 2016, Australian-based Shaun Parker & Company is...
Read MorePosted by Camilla Nelson | 22nd Sep 2019 | Australia, Review, Sydney, Theatre and Gender
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company Maxine...
Read MorePosted by Camilla Nelson | 10th Sep 2019 | Australia, Review, Sydney
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company. Maxine...
Read MorePosted by Rosalind Smith | 9th Mar 2019 | Australia, Essay, Sydney, Theatre and Gender
The dramatic life of Mary Stuart, Queen of Scots is a hot topic in popular culture. Josie Rourke’s...
Read MorePosted by Leigh Boucher | 5th Mar 2019 | Australia, Review, Sydney, Theatre and Politics
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
Read MorePosted by Caroline Wake | 11th Feb 2019 | Australia, Festivals, Review, Sydney, Theatre and Disability
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
Read MorePosted by Michael Ewans | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Opera
Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...
Read MorePosted by Kiu-wai Chu | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Dance
In an age of growing mistrust, the Chinese-Australian artistic collaboration One...
Read MoreThe biggest little theatre festival in the world is all grown up! The popular staple of the Sydney...
Read MorePosted by Justine Shih Pearson | 30th Jan 2019 | Australia, Festivals, Review, Sydney
What kind of world are we leaving for our children? So goes our conversation everywhere these...
Read MorePosted by Huw Griffiths | 5th Nov 2018 | Adaptation, Australia, Review, Sydney
The fitness of Henrik Ibsen’s plays to address the political questions of our modern lives renews...
Read MorePosted by Bryoni Trezise | 28th Jan 2018 | Australia, New York, Sydney, Theatre and Gender, United States of America
The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...
Read MorePosted by Anthony Uhlmann | 27th Sep 2017 | Australia, Festivals, Immersive Theatre, Sydney
In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney...
Read MorePosted by Claire Hansen | 9th Jul 2017 | Australia, Sydney, Theatre and Gender
The Rover, now on at Belvoir Theatre in Sydney, starts unexpectedly, with long-dead 17th-century...
Read MorePosted by Huw Griffiths | 14th May 2017 | Australia, Sydney
Black is the New White is Nakkiah Lui’s latest play, following last year’s well-received Kill the...
Read MorePosted by Joel Hodge | 31st Jan 2017 | Australia, Essay, Ireland, Sydney
Colm Tóibín’s play and the Booker-nominated novella The Testament of Mary aims to “demythologise”...
Read MorePosted by Huw Griffiths | 22nd Aug 2016 | Australia, Review, Sydney, Theatre and Age
Our experience of plays is always profoundly affected by how they end: comedy or tragedy, death or...
Read MorePosted by The Theatre Times | 19th Sep 2014 | Australia, Management, News, Sydney
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
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