Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
Read MoreWhen I thought about why I wanted to write this article, a simple, almost childlike thought came...
Read MorePosted by Helen Trenos | 11th Jan 2023 | Australia, Design, Directing, Review, Theatre and Gender
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
Read MorePosted by Emilija Kvočka | 4th Jan 2023 | Adaptation, Directing, Festivals, Review, Serbia
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
Read MorePosted by Aleks Sierz | 22nd Dec 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Is British new writing in deep trouble? With the Arts Council defunding venues such as the...
Read MorePosted by Verity Healey | 9th Nov 2022 | Directing, Kosovo, Musical Theatre, Review, Theatre and Politics
Is this the first memorial disco theatre piece of its kind in modern theatre? Well, it’s a disco...
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Tom Cornford | 17th Oct 2022 | Directing, Essay, Theatre and Politics, United Kingdom
Since 2015, a large bronze statue has stood outside the Theatre Royal Stratford East. Raised on a...
Read MorePosted by Alexander Nderitu | 11th Oct 2022 | Directing, Interview, Kenya, Theatre and Decolonization, Theatre and Politics
ALEXANDER NDERITU: Thank you for agreeing to this interview, Mr. Nash. Let’s start with some...
Read MorePosted by Maria Pia Pagani | 3rd Oct 2022 | Adaptation, Directing, Italy, Review
The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...
Read MorePosted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read MorePosted by Emilija Kvočka | 5th Sep 2022 | Design, Directing, Review, Serbia
Performance “When God Kicks You In The Womb”, based on the novel by Ildiko Lovaš, is a...
Read MorePosted by Barbara Gabriel | 2nd Sep 2022 | Canada, Directing, Festivals, Review
The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...
Read MorePosted by Jonathan Kalb | 13th Aug 2022 | Adaptation, Directing, New York, Review, United States of America
If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...
Read MorePosted by Jonathan Kalb | 10th Aug 2022 | Adaptation, Afghanistan, Directing, Review, United States of America
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
Read MorePosted by Andrew Agress | 9th Aug 2022 | Directing, Immersive Theatre, New York, Review, United States of America
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
Read MorePosted by Yana Meerzon | 7th Aug 2022 | Avignon 2022, Directing, Festivals, France, Theatre and Politics
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
Read MorePosted by Yana Meerzon | 6th Aug 2022 | Avignon 2022, Directing, Festivals, France, Review, Theatre and Religion
I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...
Read MorePosted by Ivanka Apostolova Baskar | 31st Jul 2022 | Directing, Education, Interview, Macedonia
Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative...
Read MorePosted by Aleks Sierz | 18th Jul 2022 | Directing, Musical Theatre, Review, United Kingdom
Is gig theater the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around...
Read MorePosted by Alexander Fatouros | 13th Jul 2022 | Design, Directing, Interview, Musical Theatre, Spain
Set at Barcelona’s IDEAL Digital Arts Center and crafted by British director Simon Pittman, “Next...
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