Daring to See Red: Theater Company Gorae’s “Red Poem”
Theatre Company Gorae’s Red Poem, written and directed by company founder Lee Hae-Sung, recently...
Read MorePosted by Kee-Yoon Nahm | 18th Jan 2017 | Essay, South Korea, Theatre and Gender, Theatre and Politics
Theatre Company Gorae’s Red Poem, written and directed by company founder Lee Hae-Sung, recently...
Read MorePosted by Madison Parrotta | 12th Jan 2017 | Egypt, News, Theatre and Gender
The monodrama Sah El-Nom, directed and performed by Egyptian artist Doaa Hamza, was performed at...
Read MorePosted by Jessica Rizzo | 20th Dec 2016 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Once every four years most Americans sheepishly admit to trusted friends of similar political...
Read MorePosted by Kathy Rowland | 13th Dec 2016 | Review, Singapore, Theatre and Gender
In 2013, award-winning actress Siti Khalijah Zainal brought Singapore’s company, The...
Read MorePosted by Lola Proaño Gomez | 9th Dec 2016 | Review, Theatre and Gender, Uruguay
Delmira Agustini (1886–1914), one of the most important Uruguayan poets, was assassinated by...
Read MorePosted by Lauren Deutsch | 7th Dec 2016 | Essay, Japan, Musical Theatre, Theatre and Gender
Nothing’s clear-cut at Japan’s Takarazuka Revue, arguably one of the world’s largest all-female musical theatre groups. The women who portray male roles in the Revue’s repertoire must maintain a semblance of “maleness” off-stage as well, the “off” boundaries being far away from the theatre environs.
Read MorePosted by KaiChieh Tu | 5th Dec 2016 | Acting, Adaptation, Essay, Poland, Theatre and Gender
Devising their works in a 13th-century refractory and former monastery in Wrocław’s Old Town, Song...
Read MorePosted by Hadeer El-Mahdawy - AhramOnline | 3rd Dec 2016 | Egypt, Review, Theatre and Gender
The play was written, directed, and performed by Egyptian stage actress Zainab Magdy was performed...
Read MorePosted by Ahram Online | 1st Dec 2016 | Egypt, Review, Theatre and Gender
The performance is a result of collaboration between BuSSy Project and Nazra for Feminist Studies....
Read MorePosted by Nobuko Tanaka | 22nd Nov 2016 | Interview, Japan, Theatre and Gender
Takahiro Fujita was really looking forward to the new year in 2016. He’d already been honored when...
Read MorePosted by Hannah Banks | 16th Nov 2016 | Essay, New Zealand, Theatre and Gender
On the 19th September 2016, the 123rd anniversary of women gaining the right to vote in New...
Read MorePosted by Cristina Modreanu | 30th Oct 2016 | Adaptation, News, Romania, Theatre and Gender
Future is Feminine introduces American audiences to innovative Romanian women artists remixing...
Read MorePosted by Jessica Rizzo | 28th Oct 2016 | Adaptation, New York, Review, Theatre and Gender, United States of America
The Maids, September 29-October 23, The INTAR Theatre, New York City Invoking the...
Read MorePosted by The Theatre Times | 27th Oct 2016 | India, Review, Theatre and Gender
Kimartham Draupathy, Aswathy Vijayan’s Sanskrit play, is about predicaments that women face even...
Read MorePosted by The Theatre Times | 14th Oct 2016 | New York, News, Review, Theatre and Gender, United States of America
The Seedling Project is an original play inspired by the true stories of women and men as they...
Read MorePosted by Olisa. TV | 12th Oct 2016 | News, Nigeria, Theatre and Gender
In anticipation of the International Day for the Girl Child, the Performing Arts Workshop and...
Read MorePosted by Nesma Youssef Idris | 5th Oct 2016 | Egypt, Festivals, Review, Theatre and Dance, Theatre and Gender
The 23rd Cairo International Festival for Contemporary and Experimental Theatre opened Tuesday,...
Read MorePosted by Bianca Fileborn | 30th Sep 2016 | Australia, Review, Theatre and Gender
Young men’s use of pornography has been the focus of considerable debate, if not anxiety and moral...
Read MorePosted by Andrew Edwards | 21st Sep 2016 | News, Scotland, Theatre and Gender, United Kingdom
Scotland’s five centrally funded performing companies make formal pledge to achieve a 50/50 gender balance across their boardrooms by 2020.
Read MorePosted by Jessica Rizzo | 22nd Aug 2016 | New York, Review, Theatre and Gender, United States of America
Unicorn Gratitude Mystery, July 31-August 21, The Laurie Beechman Theatre, New York City The...
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