“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
Read MorePosted by Katalin Trencsényi | 4th Nov 2018 | Devised Theatre, Essay, Theatre and Dance, Theatre and Disability, United Kingdom
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
Read MorePosted by Jonathan Kalb | 2nd Nov 2018 | Interview, Musical Theatre, New York, Review, Theatre and Disability, Transcultural Collaborations, United States of America
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
Read MorePosted by Patrick Langston | 29th Oct 2018 | Canada, News, Theatre and Disability
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom
Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...
Read MorePosted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America
Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
Read MorePosted by Madison Parrotta | 21st Sep 2018 | Review, Theatre and Disability, United States of America
Nicole Pandolfo’s Brick City was produced in conjunction with NJPAC and the New Jersey Theatre...
Read MorePosted by Veronica Lee | 14th Aug 2018 | Festivals, Review, Theatre and Disability, Theatre and Politics, United Kingdom
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
Read MorePosted by Colin Hambrook | 11th Aug 2018 | Essay, Immersive Theatre, LGBTQ+ Theatre, Participatory Theatre, Theatre and Disability, Transmedia, United Kingdom
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Tony McCaffrey | 4th Aug 2018 | Australia, Essay, Theatre and Disability
Over the last 20 years, the development of technology in performance has made us question what is...
Read MorePosted by Anna Sorokina - Russia Beyond Headlines | 2nd Aug 2018 | Acting, News, Russia, Theatre and Disability
Have you ever watched a staging of Chekhov where all the roles are played by patients at a...
Read MorePosted by Natasha Sutton Williams | 24th Jul 2018 | Books, Directing, Theatre and Disability, United Kingdom
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
Read MorePosted by Kelann Currie-Williams | 19th Jul 2018 | Canada, Festivals, Review, Theatre and Disability
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
Read MorePosted by Andreea S. Calude, Laura Haughey, and Kellye Bensley | 15th Jul 2018 | Essay, New Zealand, Theatre and Disability
Would you go and see a bilingual or multilingual show if you only spoke one of the languages...
Read MorePosted by Madison Parrotta | 30th Jun 2018 | New York, Review, Theatre and Disability, United States of America
Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...
Read MorePosted by Madison Parrotta | 25th Jun 2018 | Books, Theatre and Disability, United Kingdom
Oberon’s new book, Reasons To Be Graeae, gives a unique insight into the first 38 years of the...
Read MorePosted by Carmen Kovacs | 5th Jun 2018 | Dramaturgy, Germany, Interview, Theatre and Disability, Theatre and Opera
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
Read MorePosted by Mat Fraser | 16th May 2018 | Theatre and Disability, United Kingdom
Mat Fraser is an English rock musician, actor, writer, and performance artist who performed with...
Read MorePosted by Jocelyn Pitsch | 8th May 2018 | Canada, Festivals, Review, Theatre and Disability
Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...
Read MorePosted by Maria Vlachou | 13th Apr 2018 | Essay, Portugal, Theatre and Disability
You can also read this article in French. IETM will host its forthcoming Plenary meeting in Porto,...
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