Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
Read MorePosted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
Read MorePosted by Clement Lee | 8th Mar 2017 | China, Hong Kong, Immersive Theatre, Review
Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...
Read MorePosted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
Read MorePosted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
Read MorePosted by Chen Ran | 27th Feb 2017 | China, Essay, Immersive Theatre
The stage is a natural home for performance art, but any location where a performance can happen...
Read MorePosted by Felipe Vidal | 25th Feb 2017 | Brazil, Immersive Theatre
The first time I saw a play by Oficina Uzyna Uzona, at Teatro Oficina, was in 1994. Better said,...
Read MorePosted by Jessica Rizzo | 10th Feb 2017 | Immersive Theatre, New York, Review, United States of America
“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...
Read MorePosted by Kristof Van Baarle | 22nd Jan 2017 | Belgium, Immersive Theatre, Review, Transmedia
In this time of superdiversity, with different cultures and strata of the population living...
Read MorePosted by Aida Rocci | 4th Jan 2017 | Denmark, Immersive Theatre, London, Review, United Kingdom
A lonely corner at night in the London neighborhood of Hackney. A group of strangers meet,...
Read MorePosted by Lola Proaño Gomez | 2nd Jan 2017 | Argentina, Immersive Theatre, Review
The communitarian theatre group Matemurga, from Villa Crespo (Buenos Aires), closed the 2016...
Read MorePosted by Mathias Daval | 26th Dec 2016 | Festivals, Immersive Theatre, News, Sweden, Theatre and Dance
Four degrees Celsius, a thin rain and low clouds: instead of letting ourselves overwhelmed by...
Read MorePosted by Alice Jones | 25th Dec 2016 | Immersive Theatre, Musical Theatre, News, United Kingdom
The Celebrity One: Cinderella This is the big one. Paul O’Grady plays the wicked stepmother and...
Read MorePosted by Lauren Deutsch | 22nd Dec 2016 | Immersive Theatre, Los Angeles, Participatory Theatre, Review, Theatre and Opera, Transmedia
Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and...
Read MorePosted by Andrei Muchnik | 22nd Dec 2016 | Immersive Theatre, Review, Russia, Transcultural Collaborations
Moscow theater, usually receptive to innovative forms, has taken a little while to catch on to the...
Read MorePosted by Ágnes Bakk | 20th Dec 2016 | Dramaturgy, Immersive Theatre, Interview, South Korea, Transmedia
Peter Lee is the founder of NOLGONG, the Seoul-based game design company, which is also producing...
Read MorePosted by Ágnes Bakk | 14th Dec 2016 | Germany, Immersive Theatre, Interview, Transmedia
machina eX is one of the most immersive theatre company in Germany. They constantly recreate...
Read MorePosted by Ágnes Bakk | 12th Dec 2016 | Immersive Theatre, Interview, Participatory Theatre, Transmedia
Evert Hoogendoorn is a strategist and game designer at IJsfontein Interactive Media. He also has a...
Read MorePosted by Ágnes Bakk | 3rd Dec 2016 | Dramaturgy, Immersive Theatre, Interview
Kirsty Sedgman‘s background is in performance studies, which, according to her, tends to make big...
Read MorePosted by Walter Byongsok Chon | 29th Nov 2016 | Immersive Theatre, Review, South Korea
Immersive theatre meets Korea’s Daehangno cultural center in Roadtheater: Daehangno, directed by...
Read MorePosted by Lauren Dubowski | 27th Nov 2016 | Adaptation, Essay, Festivals, Immersive Theatre, Poland, Review
It is noteworthy that the custom of banqueting the dead seems to be common to all pagan peoples,...
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