If I Be Left Behind: Toni Morrison’s “Desdemona” Reminds Us Too Many Voices Remain Unheard
The tragedy of Shakespeare’s Desdemona haunts the literary canon. Her murder at the hands of her...
Read MorePosted by Asher Warren | 19th Oct 2015 | Adaptation, Australia, Review
The tragedy of Shakespeare’s Desdemona haunts the literary canon. Her murder at the hands of her...
Read MorePosted by Paul Rae | 15th Oct 2015 | Adaptation, Australia, Review
In Desdemona, Toni Morrison’s response to Shakespeare’s Othello, which opens today at the...
Read MorePosted by Robert Hassan | 14th Oct 2015 | Adaptation, Australia, Melbourne, Review
The blurb for Robert Icke and Duncan Macmillan’s stage adaption of George Orwell’s 1984 for the...
Read MorePosted by Christine Lambrianidis | 18th Aug 2015 | Adaptation, Australia, Essay, Melbourne
When you hear the words Greek tragedy, you might think of white masks, or even the ongoing...
Read MorePosted by Denis Flannery | 10th Apr 2015 | Adaptation, Essay, United Kingdom
I’m not sure many saw David Bowie’s latest creative project coming. It was recently announced that...
Read MorePosted by John Drakakis | 9th Apr 2015 | Adaptation, Essay, London, United Kingdom
The announcement that a play about Jimmy Savile is to be staged in London this summer has raised...
Read MorePosted by Gabrielle Carey | 9th Mar 2015 | Adaptation, Australia, News
Seventy-five years after publication, James Joyce’s Finnegans Wake may finally be starting to make...
Read MorePosted by Alix Bromley | 21st Jan 2015 | Adaptation, Australia, Interview
This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...
Read MorePosted by Emily McGovern | 7th Nov 2014 | Adaptation, France, Interview, Russia, Transcultural Collaborations, United Kingdom
British actor Harry Lloyd and French director Gérald Garutti’s stage adaptation of the Fyodor...
Read MorePosted by RBTH and Dmitriy Romendik | 19th Oct 2014 | Adaptation, Review, Russia
The premier of Telluria caused little controversy when it opened in St. Petersburg. Maybe Russian...
Read MorePosted by Claire Hansen | 29th Jul 2014 | Adaptation, Australia, Review
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
Read MorePosted by Laura Swift | 23rd Jul 2014 | Adaptation, Essay, London, United Kingdom
A new production of Medea recently opened at London’s National Theatre to critical acclaim. This...
Read MorePosted by Preti Taneja | 1st Jul 2014 | Adaptation, Essay, London, United Kingdom
I don’t really go in for creative mash-ups. You know: Alien Vs. Predator, or the films where...
Read MorePosted by Julian Meyrick | 14th May 2014 | Adaptation, Australia, Essay
Last year in Australian theatre a rare event took place: a sector-wide debate about the role of...
Read MorePosted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia
Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...
Read MorePosted by Aleks Sierz | 17th Mar 2013 | Adaptation, London, Review, United Kingdom
Science is an area of perennial fascination for the theatre. In the past, plays as various as Tom...
Read MorePosted by Phoebe Taplin | 16th Mar 2013 | Adaptation, News, Russia
William Boyd’s new play Longing, based on two short Chekov stories, is a sell-out success in...
Read MorePosted by Phoebe Taplin | 4th Jan 2013 | Adaptation, Review, Russia
A traditional version of Anton Chekhov’s play gets West End glamor and charm but lacks conviction....
Read MorePosted by Dara Weinberg | 11th Dec 2012 | Adaptation, Essay, Poland
Report From Wrocław’s Grotowski Institute (the second annual Summer Seminars) and Teatr Pieśń...
Read MorePosted by Phoebe Taplin | 20th Nov 2012 | Adaptation, Review, Russia
Chekhov’s timeless exploration of youth, aging, and the desire for fame sprouts fresh wings in an...
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