Built for Collapse: “Red Wednesday”
The evening that I saw Red Wednesday by Built for Collapse at the LaGuardia Performing Arts...
Read MorePosted by Amelia Parenteau | 29th Apr 2015 | Essay, New York, Theatre and Politics, Transmedia, United States of America
The evening that I saw Red Wednesday by Built for Collapse at the LaGuardia Performing Arts...
Read MorePosted by Ania Aizman | 22nd Apr 2015 | Essay, Russia, Theatre and Politics
As the government continues to censor and cancel Russian theater performances, a group of artists...
Read MorePosted by Jackie Wykes and Cat Pausé | 10th Mar 2015 | Australia, Essay, Theatre and Politics
The fear and loathing of fat is such a ubiquitous part of contemporary Western culture that it...
Read MorePosted by Charlotte M. Canning | 17th Dec 2014 | Essay, North America, Theatre and Politics
Director Ridley Scott recently set off a firestorm when he dismissed those who criticized him for...
Read MorePosted by David Rowe and Rodney Tiffen | 15th Dec 2014 | Australia, Review, Theatre and Politics
The Melbourne Theatre Company’s (MTC) production of David Williamson’s 2013 play Rupert has...
Read MorePosted by Jesse Kirkwood | 8th Dec 2014 | Belarus, Review, Theatre and Politics
“Belarus is not sexy. Sexy countries have oil, gas, diamonds, sea, mountains … Belarus has...
Read MorePosted by Robert Reid | 9th Nov 2014 | Australia, Review, Theatre and Politics
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
Read MorePosted by Diana Bossio | 20th Oct 2014 | Australia, Review, Theatre and Politics
Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...
Read MorePosted by Julian Meyrick | 1st Oct 2014 | Dramaturgy, Essay, Theatre and Politics
Drama and its core principles are to be found in theatres while the real world goes on outside,...
Read MorePosted by Sandra Phillips | 28th Sep 2014 | Australia, Review, Theatre and Politics
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read MorePosted by John Freedman | 26th Sep 2014 | Essay, Russia, Theatre and Politics
On occasion, rather than buried and hidden somewhere, essences lie right there on the surface,...
Read MorePosted by Kirill Serebrennikov | 3rd Sep 2014 | Essay, Russia, Theatre and Politics
Kirill Serebrennikov, the artistic director of Moscow’s innovative Gogol Center, and a...
Read MorePosted by Leslie Barnes | 19th Aug 2014 | Australia, Interview, Theatre and Politics
Peta Brady’s Ugly Mugs, which I saw in Sydney last week, opens with a gurney being wheeled onto...
Read MorePosted by Emily Lindsay Brown | 15th Aug 2014 | Essay, Scotland, Theatre and Politics
Alex Oates’ debut Fringe play traces the journey of 19-year-old Geordie lad Bruce, as he begins...
Read MorePosted by Andrew Blades | 4th Aug 2014 | Essay, London, Theatre and Politics, United Kingdom
My Night With Reg, Kevin Elyot’s 1994 play, has returned to the London stage, poignantly only a...
Read MorePosted by Mark Steven | 31st Jul 2014 | Australia, Review, Theatre and Politics
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
Read MorePosted by Claire Hansen | 16th Jun 2014 | Australia, Review, Theatre and Politics
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
Read MorePosted by Dmitriy Romendik | 4th Jun 2014 | News, Russia, Theatre and Politics
Director and artist Dmitry Krymov’s production of Opus No.7, about the Holocaust and the...
Read MorePosted by Vladimir Kozlov | 2nd Jun 2014 | Essay, Russia, Theatre and Politics
After a long period in which Russian theater productions avoided political themes, the last few...
Read MorePosted by Molly Flynn | 27th May 2014 | Documentary Theatre, Review, Theatre and Politics, Ukraine
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
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