The Power of Reflection in “Portrait Avedon-Baldwin, Entretiens imaginaires” at the Théâtre du Rond Point, Paris
One of France’s greatest prides is the network of African American artists who, in the...
Read MorePosted by Lara Cox | 19th Apr 2022 | France, Playwriting, Review, Theatre and Decolonization, Theatre and Politics
One of France’s greatest prides is the network of African American artists who, in the...
Read MorePosted by Alexander Nderitu | 21st Mar 2022 | Education, Kenya, News, Theatre and Decolonization, Transcultural Collaborations
‘Whatever you teach action, it out. If you teach music, sing. If you teach language, write a novel. If you teach drama, act.’
Read MorePosted by Alexander Nderitu | 13th Feb 2022 | Kenya, Management, News, Theatre and Decolonization
A stellar line-up of speakers, moderators and facilitators is scheduled to grace the event. They include academics, thespians and art critics.
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Alexander Nderitu | 19th Nov 2021 | Adaptation, Denmark, Kenya, Review, Theatre and Decolonization, Transcultural Collaborations
Miss Julie’s Happy Valley is the most recent work by playwright Michael Omoke. The new play...
Read MorePosted by Baobab van de Teranga | 21st Jul 2021 | Essay, Theatre and Dance, Theatre and Decolonization, Theatre and Politics
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
Read MorePosted by Jonathan W. Marshall | 24th Mar 2021 | Australia, Immersive Theatre, Review, Theatre and Decolonization
Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...
Read MorePosted by David O'Donnell | 25th Feb 2021 | Dramaturgy, New Zealand, Review, Theatre and Decolonization, Theatre and Politics
Company Kamupene Written and performed by Jamie McCaskill. Presented by Tikapa Productions and The...
Read MorePosted by David Geary | 6th Jul 2020 | Canada, Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay, New Zealand, Theatre and Decolonization
I’ve hit the wall. The big move is over but moving the “small stuff” all day reminded...
Read MorePosted by David Geary | 30th Jun 2020 | Canada, Covid-19, Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay, Theatre and Decolonization
Grades went in. No death threats. A student wrote: “I learned something, and I laughed. That’s all...
Read MorePosted by Nora Amin | 11th Mar 2020 | Egypt, Essay, Puppetry, Theatre and Decolonization
An essay by Nora Amin that traces the presence of shadow theatre within the modern and...
Read MorePosted by Sheetala Bhat | 16th Dec 2019 | Canada, Review, Theatre and Decolonization, Theatre and Politics
Almighty Voice and his Wife, a play written by Daniel David Moses in 1991, was recently staged in...
Read MorePosted by Julian De Medeiros | 14th Dec 2019 | Adaptation, London, Nigeria, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
In recent years there has been a resurgence of progressive adaptations of Chekhov’s realist...
Read MorePosted by Gowri S | 9th Dec 2019 | India, Review, Theatre and Decolonization, Theatre and Politics
From Reunion Island to India, this play explores freedom and history. A young boy from Nepal...
Read MorePosted by Maria Delgado | 6th Dec 2019 | Argentina, Review, Theatre and Decolonization
In 2013 Ignacio Bartolone created a buzz with his first play, Piedra sentada, Pata corrida...
Read MorePosted by Paul Yachnin Hannah Korell | 20th Nov 2019 | Canada, Dramaturgy, Essay, Theatre and Decolonization
Last winter, at the Studio Theatre at Ryerson University in downtown Toronto, Canadian actor...
Read MorePosted by Sandra D'urso | 29th May 2019 | Adaptation, Australia, Review, Theatre and Decolonization
Set in a rambling and ageing house haunted by a colonial past, Cloudstreet is a theatrical...
Read MorePosted by Rathsaran Sireekan | 19th May 2019 | Belgium, Essay, Theatre and Dance, Theatre and Decolonization
Author: Rathsaran Sireekan Contemporary art’s desire to be “contemporary”, for many practitioners,...
Read MorePosted by Clarisse Zarvos | 12th May 2019 | Brazil, Documentary Theatre, Portugal, Review, Theatre and Decolonization, Theatre and Gender
In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...
Read MorePosted by Liam Rees | 25th Apr 2019 | Belgium, Review, Theatre and Decolonization
A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...
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