Monsters, Mayhem, and Maturation: “The Trouble with Dead Boyfriends” at the Players Theatre
Upon one’s first step into the Players Theatre, one knows exactly what they’re in for. The stage...
Read MorePosted by Rhiannon Ling | 24th Jul 2023 | New York, Review, Theatre and Gender, United States of America
Upon one’s first step into the Players Theatre, one knows exactly what they’re in for. The stage...
Read MorePosted by Rhiannon Ling | 30th May 2023 | New York, Review, Theatre and Gender, United States of America
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
Read MorePosted by Aleks Sierz | 1st May 2023 | London, Review, Theatre and Gender, United Kingdom
We are watching history being made: after decades of being in the shadows, queer drama is now...
Read MorePosted by Camilla Nelson | 29th Apr 2023 | Australia, Review, Sydney, Theatre and Gender, Theatre and Politics
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
Read MorePosted by Aleks Sierz | 28th Apr 2023 | Review, Theatre and Gender, United Kingdom
Is it possible to successfully challenge naturalism in British theatre today? At a time when...
Read MorePosted by Emiliia Dementsova | 25th Apr 2023 | Adaptation, Greece, Review, Theatre and Gender, Theatre Olympics 2023
Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...
Read MorePosted by Aleks Sierz | 21st Apr 2023 | London, Playwriting, Review, Theatre and Gender, United Kingdom
The popularity of plays that feature trauma is certainly a trend in British theatre today. But is...
Read MorePosted by Aisha Malik | 20th Mar 2023 | Australia, Review, Theatre and Gender
Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative...
Read MorePosted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MorePosted by The Theatre Times | 5th Mar 2023 | Education, News, Theatre and Gender, Theatre and Politics
Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...
Read MorePosted by Rhiannon Ling | 13th Feb 2023 | Devised Theatre, New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
Read MorePosted by Jingyi Zhang | 23rd Jan 2023 | Festivals, New York, Prototype 2023, Theatre and Gender, Theatre and Opera, United States of America
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
Read MorePosted by Toni Hildebrandt and Zainabu Jallo | 22nd Jan 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read MorePosted by Saraswathy Nagarajan | 16th Jan 2023 | Festivals, India, News, Theatre and Gender
A day in the museum turns out to be an unforgettable journey across time and regions for six...
Read MorePosted by Helen Trenos | 11th Jan 2023 | Australia, Design, Directing, Review, Theatre and Gender
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
Read MorePosted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by Verity Healey | 1st Dec 2022 | Interview, Kosovo, Theatre and Gender, Theatre and Politics
“In Kosovo men are bulls**t, we are like criminals…” Kushtrim Koliqi has been a human rights...
Read MorePosted by The Hindu | 16th Oct 2022 | Adaptation, India, Interview, Theatre and Gender
The play seeks to draw parallels between Desdemona from Othello and select women from Indian epics...
Read MorePosted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
Read MorePosted by Morgan Skolnik | 21st Sep 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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