Worldwide
Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa
by Rhiannon Ling | 4th Jun 2024 | Algeria, France, Interview, Theatre and Politics
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
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Mariam Ndagire: A Full Career in Theatre, Music and Film
by Kaggwa Andrew Mayiga | 4th Apr 2024 | Acting, Essay, Uganda
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“Haywire:” An Unsettling Account On Mental Health Issues
by Tawanda Mupatsi | 22nd Mar 2024 | Review, Theatre and Science, Zimbabwe
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Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
by Deniz Bașar | 15th May 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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Find Your Voice, Loud and Clear: Musical “Il Tenore” Review
by Hansol Oh | 21st Mar 2024 | Musical Theatre, Review, South Korea
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A Theatre Festival Where Nature Was the Co-actor
by Parshathy J. Nath | 11th Mar 2024 | India, News, Theatre and Science
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Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-Winning Play Shows the Impacts of a Second Language on Identity
by Aleks Sierz | 10th Jun 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
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“Bérénice” at Milan’s FOG Festival
by Margaret Rose | 14th May 2024 | Festivals, Italy, Theatre and Art
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When Theatre Meets Gaming: “Third Law” at Culture Lab LIC
by Rhiannon Ling | 1st Jun 2024 | Immersive Theatre, New York, Review, United States of America
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
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The Return of the Musical “Titanic” to NYC
by Christina Stanton | 19th May 2024 | Musical Theatre, Review, United States of America
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Retro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
by David O'Donnell | 2nd May 2024 | New Zealand, Puppetry, Review
A new show from Trick of the Light theatre company is always something special, and Suitcase...
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“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin
by David O'Donnell | 19th Apr 2024 | Adaptation, New Zealand, Review, Worldwide
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Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
by Aleks Sierz | 14th Feb 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
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