A Memory Palace on Tauris: Reprise of Gluck’s Iphégenie en Tauride at the Paris Opera
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
Read MorePosted by Marisa C. Hayes | 6th Oct 2021 | Europe, France, Latest, Review, Theatre and Opera, Transcultural Collaborations
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
Read MoreKrzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
Read MorePosted by Rem Myers | 13th Jan 2019 | Divine Comedy Festival 2018, Festivals, Poland, Review
Wyjeżdżamy [We are Leaving], directed by Krzysztof Warlikowski. Presented at Teatr Łaźnia...
Read MorePosted by Bryce Lease | 17th Oct 2016 | Essay, LGBTQ+ Theatre, Poland
In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...
Read MorePosted by Lauren Dubowski | 17th Sep 2016 | Directing, News, Poland, Polish Theatre Abroad, Review
The Brooklyn Academy of Music’s theatre season features two works by renowned Polish theatre...
Read MorePosted by Hugh Montgomery | 2nd Jun 2016 | Acting, France, Interview
“A difficult role is never difficult to do,” says Isabelle Huppert. “It’s difficult to watch but...
Read MorePosted by Olenka Hamilton | 16th May 2016 | Adaptation, France, Poland, Review
Polish theatre director Krzysztof Warlikowski’s Phaedra(s) is in London from the Odeon Theatre de...
Read MorePosted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review
Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...
Read MorePosted by Tomasz Cyz | 14th Aug 2010 | Essay, Poland, Theatre and Opera
Jan Kott wrote that in Shakespeare’s Macbeth, history is shown as a nightmare, something that...
Read MorePosted by biweekly.pl | 14th Aug 2010 | Acting, Interview, Poland
I’m an outsider everywhere. I was an outsider in my family. I was an outsider where I grew up. I’m...
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