“Does anyone still read Jan Kott?” asked Michael Billington, theatre critic, in his article in The Guardian (“K is for Jan Kott,” 21 February 2012). Even if very few do, in Billington’s opinion, the impact of Kott’s critical work on theatre was such that much of it has been permanently absorbed into our theatrical culture. … Continue reading Jan Kott, City Garage, and the Polish Theatre in Los Angeles