Sarah Kane Through a Russian Prism
Of all the unexpected things I think I might be able to imagine, one I could never have imagined for a minute was Alexander Zeldovich’s production of Sarah Kane’s 4.48 Psychosis at the Stanislavsky Electrotheatre in Moscow in 2016. Whether I was right or wrong (it turns out I was wrong), Kane and 4.48 Psychosis … Continue reading Sarah Kane Through a Russian Prism
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