In Poor Voice

In Poor Voice

Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I Could Die at New York Theatre Workshop, that computers today are almost all able to speak any text on the screen aloud. The default voices are pretty robotic, as I...

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Beckett 2020

Beckett 2020

Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem to answer this question in the affirmative revealing a number of parallels between the fictional and the real in seven filmed theatre pieces based on Beckett’s Rough for...

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About “The Separation”

About “The Separation”

The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close up. And then some. This is exemplified by Fraser Watson’s brilliant filming of The Separation, a 17-minute short written by Dan Horrigan and Haven Taranta. From the start,...

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About “Mum. Can You Hear Me?”

About “Mum. Can You Hear Me?”

Over the past year we’ve become used to a variety of home theatre: recordings of live performances, streamed shows, online films. But I haven’t really explored much sonic theatre, those plays without pictures. Making up for lost time, in the past week I’ve listened to...

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Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.

Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.

Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer living in Moscow. Since the pandemic, Stage Russia has expanded its programming across the world, offering access not only to professionally filmed theatre productions,...

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Inside Virtual Rooms

Inside Virtual Rooms

In March 2020 in the midst of social isolation, Oskar Sadowski suggested to his friends that they read Balladyna in a group video chat. The reading sparked the idea of making what the creators call a “virtual video-based show” (wirtualny wideospektakl) as an...

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Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.

Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.

 As part of the XXX Baltic House International Theatre Festival, the conference "Theatre and Virtual Reality" took place on October 16 – 18, 2020 at the Baltic House Theatre in Saint Petersburg, Russia. In cooperation with International Theatre Institute, this event...

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“The House of Sorrow” – Jisun Kim

“The House of Sorrow” – Jisun Kim

Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a mind-mending Möbius strip of a show, blending Buddhist philosophy with video game streaming. Where are your thoughts? In your mind? Then where is your mind? In your brain?...

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Season of Doom in Belarus

Season of Doom in Belarus

The season 2019/2020 is over. While there were several remarkable events, some aspects — coronavirus outbreak, total unpreparedness for online broadcasting, as well as political situation (which has its impact on the local theatres) — left a negative impression about...

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What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition

What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition

Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At Arlekin Players Theatre, a resilient Needham-based Massachusetts theatre company with Russian roots, challenges are turned into opportunities, as Igor Golyak and Darya...

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Virtual Experiences In Lockdown Times

Virtual Experiences In Lockdown Times

In 1971, in New York’s SoHo neighborhood, a site-specific dance performance — one in which the ‘site’ in question encompassed a dozen rooftops over a roughly ten-block area — was staged by the Trisha Brown Dance Company (TBDC), one year into its inception. Considered...

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Sarah Kane Through a Russian Prism

Sarah Kane Through a Russian Prism

Of all the unexpected things I think I might be able to imagine, one I could never have imagined for a minute was Alexander Zeldovich's production of Sarah Kane's 4.48 Psychosis at the Stanislavsky Electrotheatre in Moscow in 2016. Whether I was right or wrong (it...

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Yet Another White Album

Yet Another White Album

If modernity is a stage, the artwork is its main prop. And in a culminating planetary crisis, voiced in anti-humanitarian grammar, the spectacle’s fourth wall has long since melted into air, writes Frida Sandström, on the 58th Venice Biennale. Without barricades, life...

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Presence Is The Lingua Franca

Presence Is The Lingua Franca

Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he creates multisensorial environments that regularly challenge our senses, especially our haptic and gustatory senses. In March he held a workshop at the Media Design...

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Thinking Out Loud

Thinking Out Loud

Essayisting Figures On Stage The influence of the essay as a means of expression has long reached beyond the confines of literature. Just think of the visual essay and the rich history of the essay film. In his groundbreaking study Postdramatisches Theater (1999),...

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For Whom Technology Tolls

For Whom Technology Tolls

For those of us that are perennially nostalgia bound—even for the sepia-tinted memories of the vast cultural landscapes of yore—the “old web” is a treasure trove. It’s a place that has access to grainy videos, scans of old artifacts, miles of newsprint, restored...

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Making Art Through Technology

Making Art Through Technology

“YES! Wow! I think we are finally entering the twenty-first century!” the troll roared, stomping her feet joyfully on the ground, each stomp producing thunderous, boulderlike sounds. It was her first time trying on the troll sound costume I had prepared for her–and...

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Doing Is Saying

Doing Is Saying

Faced with new staging mechanisms, the actor must develop new strategies, which must lead to specific acting that navigates between real presence and virtual presence. The director, who is still at the heart of the creation, sometimes develops his own video and even...

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Aiming The Guts

Aiming The Guts

It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is perhaps the strongest case for it, that the performance works at the viewers’ guts while simultaneously firing off intellectual and emotional triggers. This complex, visceral...

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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance

Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance

A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince Laws. It was cast via social media and originally performed at Norwich LGBT+ Pride in 2017 to great acclaim. Commissioned and supported by Unlimited, celebrating the...

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Virtual Reality In Polish Theatre

Virtual Reality In Polish Theatre

Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and how does its use affect the reception of performances? VR technology is gaining popularity in recent years. It’s used not only in computer games and short films but also...

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Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”

Secret Cinema’s Most Recent Production: A Recreated World Of Ridley Scott’s Classic Film “Blade Runner: The Final Cut”

Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music, theatre, and installations where audiences explore ultra-immersive worlds in which fiction and reality blur. In 2007, Secret Cinema introduced site-specific, immersive...

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This post was written by Magda Romanska.

The views expressed here belong to the author and do not necessarily reflect our views and opinions.

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