Liu Xiaoyi’s Creative Revolution
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
Read MorePosted by Molly Grogan Zolima CityMag | 21st Jun 2024 | Hong Kong, Review, Theatre and Art
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
Read MorePosted by Molly Grogan Zolima CityMag | 19th Jun 2024 | Directing, Hong Kong, Interview, Singapore
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
Read MorePosted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read MorePosted by Simon Cartledge Zolima CityMag | 10th Apr 2021 | Covid-19, Devised Theatre, Hong Kong
In Hong Kong, as elsewhere around the world, Covid-19 brought live shows to an abrupt halt....
Read MorePosted by Rossella Ferrari | 22nd Nov 2020 | China, Hong Kong, News, Singapore, Taiwan, Transcultural Collaborations
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
Read MorePosted by Corrie Tan | 31st Jan 2019 | Essay, Singapore
As part of the Asian Theatremakers series Liu Xiaoyi and I are arranging for a time and date to...
Read MorePosted by Zolima Citymag | 26th Dec 2017 | China, Hong Kong, News, Theatre and Dance, Theatre and Politics
When asked to pick one word that describes the city of Hong Kong, Romanian performance artist...
Read MorePosted by Zolima Citymag | 28th Nov 2017 | China, Hong Kong, Review, Theatre and Art, Theatre and Film
Among Hong Kong’s artists, designers, playwrights and stage directors are polymaths who somehow...
Read MorePosted by Cao Kefei | 12th Aug 2017 | China, Essay, Hong Kong, Theatre and Opera
I had long heard of Director [Danny] Yung’s trilogy The Outcast General, Tears of Barren Hill, and...
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