The Beauty of Cultural Specificity in “Bubble Schmeisis”
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
Read MorePosted by Morgan Skolnik | 2nd Apr 2025 | New York, Review, Theatre and Religion
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
Read MorePosted by Emiliia Dementsova | 9th Oct 2023 | Festivals, Romania, Theatre Olympics 2023
The 10th edition of the Madách International Theatre Meeting in Budapest coincided with the Jewish...
Read MorePosted by Sonia Gollance and Joel Berkowitz | 9th Sep 2019 | Argentina, News, Poland, Transcultural Collaborations, United States of America
The history of Yiddish theatre is embedded – quite literally – in urban space. If you walk past...
Read MorePosted by Jane Baldwin | 20th May 2019 | Boston, Review, United States of America
Boston is privileged to welcome Indecent, Paula Vogel’s and Rebecca Taichman’s adaptation of...
Read MorePosted by Abigail Weil | 24th Feb 2019 | Musical Theatre, New York, Review, United States of America
In 2004, Gwen Stefani, lately of the band No Doubt, released a song called Rich Girl which sampled...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Directing, Essay, Poland, Theatre and Politics
The Jewish Theatre in Warsaw is one of only two public theatres in Europe that regularly stage...
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