Tag: William Kentridge

William Kentridge On The Pandemic And Post-Pandemic Theatre

Posted by International Online Theatre Festival | 1st Jul 2020 | Covid-19, Directing, Interview, IOTF 2020: Archives, South Africa, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020

William Kentridge – a South African interdisciplinary artist and the founder of The Centre for the...

Read More

Doing Is Saying

Posted by Josette Féral | 2nd Sep 2018 | Acting, Directing, Essay, Transmedia

Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...

Read More

Change Is In The Air For New National Theater Tokyo In 2018

Posted by Nobuko Tanaka | 19th Feb 2018 | Japan, Management, News

At the start of each year, the New National Theatre Tokyo holds a media event at which the...

Read More

South African Artist William Kentridge at The International Performance Festival Foreign Affairs in Berlin

Posted by Barbara Behrendt | 9th Sep 2016 | Festivals, Germany, Review

In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
“Figures In Extinction:” A Dance Trilogy Report by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz 17th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026
Poetry: The Realm Where Unrealized Ambitions Find… by Ivanka Apostolova Baskar 19th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026

Recent Posts

Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026
Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben” 8th April 2026
Lyle Kessler Receives Lifetime Achievement Award In Playwriting 7th April 2026
Everything In Programming Matters To Cultivate The Spectator`S Free Will 7th April 2026
David Yazbek: The Master of Adapting Films into Musicals. An Exclusive Interview 2nd April 2026
The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre 1st April 2026
Tim Crouch’s “The Tempest” at The Globe 1st April 2026
On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames) 29th March 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest