Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
Read MorePosted by Kitty Brandon-James & Alma Prelec | 5th Aug 2023 | Festivals, Review, Russian Theatre Abroad, Theatre and Politics, United Kingdom
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
Read MorePosted by Aleks Sierz | 17th Dec 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
Read MorePosted by Niro Kandasamy | 9th Dec 2022 | Australia, Review, Theatre and Politics
Review: The Jungle and the Sea, directed by Eamon Flack and S. Shakthidharan, Belvoir. After the...
Read MorePosted by Aleks Sierz | 29th Dec 2021 | Review, Theatre and Politics, United Kingdom
Is the Bosnian conflict of 1992–95 the war that Europe forgot? Maybe, although most fans of new...
Read MorePosted by Aleks Sierz | 28th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Caryl Churchill, Britain’s best living playwright, is enjoying a spate of high-profile revivals of...
Read MorePosted by Sarah Magill | 3rd Jan 2020 | Devised Theatre, Poland, Review
In the main Sala of the Vorpommen Theater in Greifswald, northern Germany, a row of bare-footed...
Read MorePosted by Juno Schwarz | 21st Sep 2019 | London, Review, Transmedia, Ukraine, United Kingdom
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
Read MorePosted by Hana Worthen | 5th Jul 2019 | Festivals, Review, United States of America
The First National Veterans Theatre Festival, a partnership between the Feast of Crispian (FoC)...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by T. Saravanan | 27th Jan 2018 | India, Review, Theatre and Politics
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
Read MorePosted by Aleks Sierz | 18th Dec 2017 | Review, Syria, Translation, United Kingdom
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
Read MorePosted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
Read MorePosted by Diwan Singh Bajeli | 3rd Apr 2017 | Adaptation, India, Puppetry
Anurupa Roy’s much-feted Mahabharata thrilled audience with the innovative use of puppetry in...
Read MorePosted by Marjan Moosavi | 28th Jul 2016 | Iran, Review, Theatre and Politics
The Whispers Behind the Battle Line is written by Alirezā Nāderi and directed by Mohammad Rezā...
Read MorePosted by Peter Tregear | 5th Jul 2015 | Essay, London, Theatre and Opera, United Kingdom
As an art form routinely accused of contemporary irrelevancy, opera rarely makes headline news....
Read MorePosted by Claire Hansen | 16th Jun 2014 | Australia, Review, Theatre and Politics
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
Read MorePosted by David Williams | 25th Jan 2014 | Australia, Festivals, Review, Sydney
In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...
Read MorePosted by Tomasz Cyz | 14th Aug 2010 | Essay, Poland, Theatre and Opera
Jan Kott wrote that in Shakespeare’s Macbeth, history is shown as a nightmare, something that...
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