“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Amin Azimi | 15th May 2024 | Canada, Review, Theatre and Politics
Toronto’s theatre scene thrives on its multicultural identity, a modern-day Tower of Babel...
Read MorePosted by Aleks Sierz | 18th Apr 2024 | Acting, Review, United Kingdom
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
Read MorePosted by Aleks Sierz | 15th Jan 2021 | Playwriting, United Kingdom
Ten prompts for writing about the year 2020: 1) “It started with a slight cough, a rather dry...
Read MorePosted by Emmalynn Mallay | 6th Dec 2020 | London, Review, United Kingdom
Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric...
Read MorePosted by Anthony Uhlmann | 13th Nov 2020 | Australia, Review, Sydney, Theatre and Age
Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...
Read MorePosted by Olivia Ek | 20th Apr 2020 | Adaptation, Netherlands, Review, Transmedia
There’s a colloquialism within the theatre community that ‘you know lighting design is good when...
Read MorePosted by Aleks Sierz | 28th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Caryl Churchill, Britain’s best living playwright, is enjoying a spate of high-profile revivals of...
Read MorePosted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Juno Schwarz | 7th Sep 2019 | Edinburgh 2019, Festivals, Review, Theatre and Dance, Ukraine, United Kingdom
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
Read MorePosted by Aleks Sierz | 5th Jul 2019 | London, Review, United Kingdom
An armadillo is a small mammal, but this is not a play about the amazing relative of the anteater....
Read MorePosted by Aleks Sierz | 29th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first...
Read MorePosted by Aleks Sierz | 10th Jan 2019 | London, Review, United Kingdom
There’s a nasty smell in the air. Something rotten. Horrible. I can’t quite put my finger on it....
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Aleks Sierz | 16th Oct 2018 | London, Review, United Kingdom
Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...
Read MorePosted by Alvina Ruprecht | 12th Apr 2018 | Canada, Review
Betroffenheit (consternation, a state of shock, dismay) a co-production by Kidd Pivot Company and...
Read MorePosted by Aleks Sierz | 22nd Mar 2018 | London, Review, United Kingdom
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
Read MorePosted by Jessica Rizzo | 31st Mar 2017 | Chile, New York, Review, Theatre and Politics, United States of America
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
Read MorePosted by Mary Barnard | 31st Oct 2016 | Peru, Review, Theatre and Politics
Cusco’s Grupo Impulso de Teatro remembers twenty years of political violence in Peru with ‘De pie sobre el espejo’ (2005).
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