Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben”
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
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Tag: theatre and memory
The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
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Poetry: The Realm Where Unrealized Ambitions Find Aesthetic Sublimation
An Interview with Mr. Muanis Sinanovic (Slovenia), poet, writer, essayist, and critic. Muanis...
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“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro
Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go...
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“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
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Victor’s Journey
Rarely have I spent such an intense ninety minutes watching a show, as I did the other evening at...
Read More![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read More“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
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Trauma In Translation: Stratford’s Milestone Salesman In China
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
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“Misericordia” (Mercy) at Madrid’s Teatro Valle Inclán: Families, (Auto)fiction and Exile
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
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Robert Lepage’s “887” at the Hong Kong Arts Festival
Theatre as a memory vessel is nothing new to contemporary theatre. There is a reason why types of...
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