“Boy Parts.” Soho Theatre
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Aleks Sierz | 13th Apr 2023 | London, Review, Theatre and Politics, United Kingdom
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember...
Read MorePosted by Aleks Sierz | 17th Dec 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What is the best way of talking about the Middle East? Should plays take a documentary or verbatim...
Read MorePosted by Aleks Sierz | 18th Jul 2022 | Directing, Musical Theatre, Review, United Kingdom
Is gig theater the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around...
Read MorePosted by Aleks Sierz | 14th Apr 2022 | London, Review, Theatre and Politics, United Kingdom
You can’t keep a great playwright down. Ron Hutchinson, whose award-winning stage plays, such as...
Read MorePosted by Aleks Sierz | 29th Dec 2021 | Review, Theatre and Politics, United Kingdom
Is the Bosnian conflict of 1992–95 the war that Europe forgot? Maybe, although most fans of new...
Read MorePosted by Aleks Sierz | 17th Sep 2021 | London, Review, United Kingdom
For more than three decades, playwright Winsome Pinnock has been at the forefront of new writing,...
Read MorePosted by Aleks Sierz | 24th Apr 2021 | Review, Scotland, Theatre and Age, Transmedia, United Kingdom
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
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