The Interplay of Text and Movement in Dance Dramaturgy
Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019...
Read MorePosted by Rute Costa | 3rd Dec 2020 | Dramaturgy, Interview, Theatre and Dance, United Kingdom
Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019...
Read MorePosted by Yulia Savikovskaya | 14th Nov 2019 | London, Review, Theatre and Opera, United Kingdom
Love seems to have preoccupied the planning team of the 2019/2020 season: it rushes on stage in so...
Read MorePosted by Heather Waters | 18th Jan 2019 | Prototype 2019, Review, Theatre and Gender, Theatre and Opera, United Kingdom, United States of America
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
Read MorePosted by Aleks Sierz | 7th Jun 2018 | London, Review, Theatre and Opera, United Kingdom
Playwright Martin Crimp began his career by writing surreal short plays that hinted at his love of...
Read MorePosted by Jane Clinton | 11th Apr 2018 | London, News, United Kingdom
Hamilton swept the board at the Olivier Sunday night clinching seven awards including best new...
Read MorePosted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
Read MorePosted by Rebecca Monks | 14th Jan 2017 | News, United Kingdom
World-class theatre is becoming an ever growing presence in UK cinemas. Chains like Curzon, Vue...
Read MorePosted by James Butterwick | 13th Nov 2016 | Review, Russia, Theatre and Opera
Olfactory perception – Shostakovich conkers? Whilst I am in the moron category regarding love of...
Read MorePosted by Alexandra Coghlan | 1st Aug 2016 | Australia, Interview, Theatre and Opera
“It is easy for opera to be hijacked by the taste police, especially when the taste police have...
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