“Fission”: Entangling Science, Theatre and Mātauranga Māori.
In the era of Covid 19, when our theatres have been forced to close throughout Aotearoa/New...
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Tag: Robert Lepage
Robert Lepage’s “887” at the Hong Kong Arts Festival
Theatre as a memory vessel is nothing new to contemporary theatre. There is a reason why types of...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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Istanbul Theater Festival Draws International Troupes Into The City
The 22nd Istanbul Theater Festival hosted many theater and performance groups, as well as...
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Festival Des Francophonies En Limousin. International Francophone Theatre In All Its Diversity
This new international festival in Limoges created in 1984 by Pierre DeBauche after the Avignon...
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Bryony Kimmings’ “I Am A Phoenix, Bitch”
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
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Doing Is Saying
Faced with new staging mechanisms, the actor must develop new strategies, which must lead to...
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“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
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Robert Lepage Finally Makes It To Stratford With An Astonishing “Coriolanus”
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
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Thou Art Translated! How Shakespeare Went Viral
In A Midsummer Night’s Dream, when Peter Quince sees Bottom turned into an ass-headed figure, he...
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From the Space-Race to Filial Tensions, Robert Lepage’s “The Far Side of the Moon” Explores Reconciliation
In The Far Side of the Moon, Philippe and Andre, two estranged brothers, deal with the aftermath...
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“887”: A Shared Collective History About the Nature of Memory Itself
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
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Unbounded Soliloquy: Wajdi Mouawad’s “Seuls”
Seuls Written, Directed, and Performed by Wajdi Mouawad The Wilma Theater, Philadelphia Nov....
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In “887,” Robert Lepage Has Built a Memory Palace Out of Theatre
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
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