Miss Julie: Amy Ng Brings A “Problem Play” To Hong Kong
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
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Tag: race
Ryan Calais Cameron’s “For Black Boys…” at the Apollo Theatre
Contemporary Black British theatre is admirably adamant about pushing its own boundaries and...
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Jackie Sibblies Drury’s “Marys Seacole” at the Donmar Warehouse
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
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“Blood Knot,” A 60-Year-Old Message
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
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Review: “Cursed!” is a Play of Outrageous Wit and Deep Thought
Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...
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Antoinette Nwandu’s “Pass Over” at the Kiln Theatre
Antoinette Nwandu’s play Pass Over is a palimpsest. Its outer surface looks familiar: haunted by...
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Williams and Dyer’s “Death of England,” National Theatre
Is this an angry island? Although the British national character (if there is such a thing) has...
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Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
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Jackie Sibblies Drury’s “Fairview” at the Young Vic
Fairview is a scorching minefield that looks like a green meadow. At long last, London audiences...
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“Venus vs Modernity”: Rethinking Sara Baartman
“Venus vs Modernity” centers on South African icon Saartjie Baartman whose horrific experiences of exploitation have become a reference point for black women’s body image and representation worldwide.
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Branden Jacobs-Jenkins’s “Appropriate” at the Donmar Warehouse: Deconstructing the American Family Play
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
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“Genocide 25”: A Rwandan Generation Learning About 94
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
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“Seven Methods Of Killing Kylie Jenner” At The Royal Court Theatre
Few theatres have done as much to promote new young talent as the Royal Court; few theatres have...
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“Garry” at The White Bear Theatre
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
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Dana Michel: “Cutlass Spring”
“You have to sit on the side of the stage. You’ll see that when you enter you have the option of...
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“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
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“Cosmic Latte” – Sonya Lindfors
In Cosmic Latte, Sonya Lindfors projects the audience into a Black future, while underscoring just...
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“White Pearl” at The Royal Court
Royal Court’s Artistic Director Vicky Featherstone’s commitment to staging a diversity of...
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“Salt” at The Royal Court
Most of the facts about the Atlantic slave trade are well known; what is less understood is how...
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“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD
A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...
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