“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read MorePosted by Ivanka Apostolova Baskar | 31st Aug 2025 | Austria, Dramaturgy, Interview, Macedonia
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read MorePosted by Kate Hunter | 24th Jul 2024 | Adaptation, Australia, Review
What if significant portions of William Shakespeare’s text for Macbeth had been lost, leading to a...
Read MorePosted by Călin Ciobotari | 17th Feb 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
Read MorePosted by Antonio Hernández | 14th Feb 2019 | Adaptation, Review, Spain
Simon Stone is a stage director who began working in Australia and is currently working in Europe. His successful production of Yerma, by Federico García Lorca, was selected by The New York Times theatre critics as one of the best plays in New York in 2018. Medea, a Simon Stone collaboration with the prestigious Ivo Van […]
Read MorePosted by Jasper Delbecke and Sébastien Hendrickx | 18th Jan 2019 | Essay, South Korea, Transmedia
Essayisting Figures On Stage The influence of the essay as a means of expression has long reached...
Read MorePosted by Yue Zhu | 11th Oct 2018 | China, Essay, Theatre and Dance
Established by the choreographer Tao Ye in 2008, TAO Dance Theatre is an anomaly in the world of...
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“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026 
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 
