Laughing in Darkness: Reading Różewicz Anew
Tadeusz Różewicz (1921-2014) might need a few words of introduction for English-speaking readers,...
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Tag: polish theatre
“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance
A short documentary opening the series entitled Spradyczni artyści (Sporadic Artists, dir....
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Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre
Can we be in two places at once? Can an event happen online and offline simultaneously? The...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
For part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
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‘From the Italian Land to Poland’ and Back: A conversation with Giovanni Pampiglione
Rome, 9th February 2020. “Can I get some paper? Some cream-colored paper? And a pen?”...
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Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
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Jan Klata’s “King Lear” at the Theatre Olympics: In the Name of the Father
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
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In Memoriam: Bogusław Schaeffer, Poland’s Renaissance Man
We are republishing this article from 2012 to remember Boguslaw Schaeffer who died today….He...
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“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018)
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
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The Spotlight on Poland: Diverse Voices and Perspectives on Contemporary Polish Theatre
Premiering Spotlight on Poland Polish theatre has always drawn rich inspiration from Poland’s...
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Poland and The World of the Bad Change: The Theatre of the Eighth Day’s “And They Pitched a Tent Among Us”
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
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Contemporary Poland in “Paragraph 196 (Exercises on Terror)” by the Theatre of the Eighth Day
The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...
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Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
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Cricoteka: A Centre Of New Life For Tadeusz Kantor’s Art
During Tadeusz Kantor’s lifetime (1915-1990), his singular performances found their way to many...
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“Yemaya–The Queen Of Seas” At The Wrocław Puppet Theatre
“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...
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Jacek Głomb Named Polish “Theatre Person 2018”
Jacek Głomb, Polish director and Artistic Director of the Modjeska Theatre in Legnica, has just...
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Krystian Lupa’s “The Trial” At Divine Comedy Festival 2017
It is almost impossible to describe the experience of seeing the work of the legendary Polish...
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“The Rage” at Divine Comedy Festival 2017
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
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“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
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