Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
Read MorePosted by Maggie Ivanova | 12th Jan 2020 | Australia, Festivals, Japan, Review
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
Read MorePosted by William Peterson | 5th Nov 2019 | Australia, Review, Theatre and Dance
Vessel. 26-27 October 2019. OzAsia Festival, Adelaide, Australia. Now in its twelfth year,...
Read MorePosted by Michael Ka Chi Cheuk | 26th Oct 2019 | China, Directing, Interview, Taiwan
US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...
Read MorePosted by William Peterson | 10th Nov 2018 | France, Review, Syria, Theatre and Politics
Review: While I Was Waiting, OzAsia Festival. Unrest breaks out in a proud and ancient city, its...
Read MorePosted by William Peterson | 19th Oct 2017 | Japan, Review
The darkness of the human condition, where people are enslaved by their own desires in a kind of...
Read MorePosted by Julian Meyrick | 5th Feb 2017 | Asia, Australia, Festivals, Producing, Theatre and Dance
Sometimes the weather simply won’t cooperate. Between a state-wide blackout, monsoonal rain, and...
Read MorePosted by Anton Lucas and Guy Tunstill | 28th Dec 2016 | Indonesia, Puppetry, Theatre and Dance
Gamelan Sekar Laras (GSL) is an Adelaide-based community gamelan group that has been playing...
Read MorePosted by William Peterson | 24th Sep 2016 | Australia, Festivals, News, Transmedia
The formal launch of the OzAsia Festival’s visual arts program at the Adelaide Festival Centre...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Writing On An Empty Stage: An Interview with… by Kuan-Ting Lin 9th July 2026 

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