Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
Read MorePosted by Maggie Ivanova | 12th Jan 2020 | Australia, Festivals, Japan, Review
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
Read MorePosted by William Peterson | 5th Nov 2019 | Australia, Review, Theatre and Dance
Vessel. 26-27 October 2019. OzAsia Festival, Adelaide, Australia. Now in its twelfth year,...
Read MorePosted by Michael Ka Chi Cheuk | 26th Oct 2019 | China, Directing, Interview, Taiwan
US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...
Read MorePosted by William Peterson | 10th Nov 2018 | France, Review, Syria, Theatre and Politics
Review: While I Was Waiting, OzAsia Festival. Unrest breaks out in a proud and ancient city, its...
Read MorePosted by William Peterson | 19th Oct 2017 | Japan, Review
The darkness of the human condition, where people are enslaved by their own desires in a kind of...
Read MorePosted by Julian Meyrick | 5th Feb 2017 | Asia, Australia, Festivals, Producing, Theatre and Dance
Sometimes the weather simply won’t cooperate. Between a state-wide blackout, monsoonal rain, and...
Read MorePosted by Anton Lucas and Guy Tunstill | 28th Dec 2016 | Indonesia, Puppetry, Theatre and Dance
Gamelan Sekar Laras (GSL) is an Adelaide-based community gamelan group that has been playing...
Read MorePosted by William Peterson | 24th Sep 2016 | Australia, Festivals, News, Transmedia
The formal launch of the OzAsia Festival’s visual arts program at the Adelaide Festival Centre...
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“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026 


The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 