Tag: Olivier Py

Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part I

Posted by Yana Meerzon | 6th Aug 2022 | Avignon 2022, Directing, Festivals, France, Review, Theatre and Religion

I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...

Read More

Classes d’Art du Festival d’Avignon Online: SEASON # 1

Posted by French Culture | 29th Sep 2020 | Festivals, France, News

Starting September 2020, Festival Experiences, a subsidiary company of the Festival...

Read More

Avignon Festival 2019: “L’Amour Vainqueur”

Posted by Yana Meerzon | 31st Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre for Young Audiences

What a delight, a relief and a sheer pleasure to sit through Olivier Py’s operetta for children...

Read More

American Actors Give New Voice To French Theater

Posted by French Culture | 22nd Mar 2018 | Adaptation, France, News, Theatre and Art, Translation

As a young French director visiting New York with his theater troupe, Paul Desveaux hardly...

Read More

The Avignon Festival Chronicles Part I

Posted by Andrea Pelegri Kristić | 31st Aug 2016 | Festivals, France, News

Once a year the small but charming city of Avignon in Southern France becomes the biggest, most...

Read More

Theater Festival’s Roots Dig Deep Into Shizuoka

Posted by Nobuko Tanaka | 28th Apr 2016 | Festivals, Japan, News

In recent years, theater fans and artists here and abroad have increasingly been wakening up to...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026

Recent Posts

The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest