Unbound Curation – The Freedom Of Programming Without Frames
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
Read MorePosted by Ivanka Apostolova Baskar | 5th Sep 2025 | Belgium, Interview, Management
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
Read MorePosted by Milo Rau | 30th Apr 2020 | Belgium, Essay, Theatre and Film, Translation, Transmedia
Milo Rau was to receive an honorary doctorate from the UGent in March. Corona decided differently,...
Read MorePosted by Antonio Hernández Nieto | 19th Mar 2020 | Directing, Review, Spain
When Milo Rau arrives in a city, he attracts the attention of theater journalists, professionals,...
Read MorePosted by Julian Meyrick | 29th Mar 2019 | Australia, Festivals, LGBTQ+ Theatre, Review, Switzerland
Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...
Read MorePosted by Eleonore von Bothmer | 24th Jan 2019 | Documentary Theatre, Interview, Switzerland, Theatre and Politics
One of the few court hearings to address the crimes committed in Eastern Congo was actually an art...
Read MorePosted by Fjolla Hoxha | 1st Dec 2018 | Directing, Essay, Germany
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
Read MorePosted by Clement Lee | 3rd Nov 2018 | Belgium, Dramaturgy, Hong Kong, Interview, Theatre and Politics
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
Read MorePosted by Sébastien Hendrickx | 7th Oct 2018 | Belgium, Interview
Milo Rau and Joachim Ben Yakoub in conversation on the Ghent Manifesto. In May NTGent published...
Read MorePosted by Christian Rakow | 1st Jul 2018 | Festivals, Germany, News
Thematically or programmatically, curated or judged–the landscape of theatre festivals in Germany...
Read MorePosted by Charlotte De Somviele | 1st Jun 2018 | Directing, France, Review
Between re-enactment and appropriation: the as-if strategy of Milo Rau Acclaimed director Milo Rau...
Read MorePosted by Duška Radosavljević | 15th May 2018 | Belgium, London, Review, Theatre and Age, Theatre and Politics, United Kingdom
It’s not often that a children’s theatre features a piece about a pedophile and child...
Read MorePosted by Ágnes Bakk | 5th Dec 2017 | Germany, Interview, Participatory Theatre, Transmedia
It’s often stated that performing arts reflect changes in society. But how does this look when we...
Read MorePosted by Christoph Leibold | 19th Sep 2017 | Austria, Germany
Hardly another art form is better suited for the work of remembrance than the theatre as a medium...
Read MorePosted by Frederik Le Roy | 4th May 2017 | Documentary Theatre, Switzerland, Theatre and Politics
Realistic rituals Milo Rau and the International Institute of Political Murder. The Swiss...
Read MorePosted by Florian Malzacher | 23rd Oct 2016 | Essay, Germany, Participatory Theatre, Theatre and Politics
The more the time we are living through seems out of joint, the harder it has been for the...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026