With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
Read MorePosted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
Read MorePosted by Natasha Tripney | 22nd Feb 2022 | Bosnia, Festivals, Review, Theatre and Gender
Across the western Balkans women are raising their voices against violence following a series of...
Read MorePosted by Aleks Sierz | 18th Aug 2021 | London, Review, Theatre and Gender, United Kingdom
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
Read MorePosted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review
Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...
Read MorePosted by Peter M. Boenisch | 24th Oct 2020 | Adaptation, Denmark, Review, Theatre and Gender
Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...
Read MorePosted by Monika Kwaśniewska | 20th May 2020 | Essay, Poland, Theatre and Gender
It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...
Read MorePosted by Bryoni Trezise | 8th Jun 2019 | Australia, Review, Theatre and Gender
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
Read MorePosted by Aleks Sierz | 5th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
Read MorePosted by Zabrina Lo | 14th May 2019 | Hong Kong, News, Theatre and Opera
Being one of China’s Three Tenors meant that Easter was no holiday for Warren Mok. The opera giant...
Read MorePosted by Duška Radosavljević | 10th May 2019 | London, Review, Theatre and Gender, United Kingdom
Written only as recently as 1981, Caryl Churchill’s modern classic Top Girls has already been on...
Read MorePosted by Rosalind Smith | 9th Mar 2019 | Australia, Essay, Sydney, Theatre and Gender
The dramatic life of Mary Stuart, Queen of Scots is a hot topic in popular culture. Josie Rourke’s...
Read MorePosted by Duška Radosavljević | 21st Feb 2019 | London, Review, United Kingdom
Some seventy-odd years ago, New Yorker Mary Orr wrote a short story for the Cosmopolitan magazine...
Read MorePosted by Elke Huybrechts | 17th Feb 2019 | Belgium, Essay, LGBTQ+ Theatre
Between identity and identitylessness In this article, Elke Huybrechts regards what happened on...
Read MorePosted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
Read MorePosted by Nora Amin | 25th Nov 2018 | France, Morocco, News, Theatre and Gender, Transcultural Collaborations
The University of Bordeaux Montaigne concluded its 2018 public cultural program with a...
Read MorePosted by Aleks Sierz | 1st Nov 2018 | London, Review, United Kingdom
On the morning when this stylish revival of Martin Crimp’s 1988 play opens, I wake up to the news...
Read MorePosted by Abigail Weil | 27th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
Read MorePosted by Jana Perkovic | 23rd Sep 2018 | Playwriting, Review, Theatre and Gender
Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...
Read MorePosted by Alice Jones | 10th Aug 2018 | Festivals, Review, United Kingdom
Before her show begins, Rose Matafeo is on stage, bounding around in trainers and a tennis skirt,...
Read MorePosted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
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