“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
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Tag: Memory
The Comeuppance, Almeida Theatre
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
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About “Leaves Of Glass”
Polymath Philip Ridley has a rare superpower — he able to consistently astonish both audiences and...
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How to Write a Pandemic Play
Ten prompts for writing about the year 2020: 1) “It started with a slight cough, a rather dry...
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The Dramaturgy of “The Banquet at elBulli”
This excerpt of the article is originally written in Chinese by the author. Full article will be...
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Maya Arad Yasur’s “Amsterdam” at the Orange Tree Theatre: Crimpian Account of the Past in the Present
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
Read More“Skin Tight” Stays Tense
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
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Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
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salt. at The Royal Court
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
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Any One Thing’s “Recollection”: Breaking The Threshold Of Immersive Theatre
Recollection takes up to six participants in a thrilling journey about the importance of memories and personal data. Going beyond the sensational premise, the budding Any One Thing ambitiously explores the ideas of ‘personalized’ and ‘immersive’ theatre in depth, taking the genre to the boundaries of what is real.
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Robert Lepage’s “887” at the Hong Kong Arts Festival
Theatre as a memory vessel is nothing new to contemporary theatre. There is a reason why types of...
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Robert Alan Evans’s “The Woods” at The Royal Court
Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...
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Conversation With Élise Vigier, Director Of “Harlem Quartet”
The 7th Edition of Seuls en scène, Princeton French Theater Festival presents Harlem...
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“887”: A Shared Collective History About the Nature of Memory Itself
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
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“Tiny Dynamite” at Old Red Lion Theatre
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
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“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories
Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...
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Theatre Of Remembrance: Geschichtliches Gefuhl
Hardly another art form is better suited for the work of remembrance than the theatre as a medium...
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An Interview With Dima Levytskyi, Post-Dramatic Writer
Theatrical season of 2016-2017 finally brought post-dramatic theater to Ukraine. With a...
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Daughters of Misfortune: Guillermo Calderón’s “Villa”
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
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Performance and Remembering in Cusco: “De pie sobre el espejo” (2005) by Grupo Impulso de Teatro
Cusco’s Grupo Impulso de Teatro remembers twenty years of political violence in Peru with ‘De pie sobre el espejo’ (2005).
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