La Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
Read MorePosted by Ilinca Todoruţ | 13th Oct 2024 | Review, Romania, Theatre and Politics
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
Read MorePosted by Aleks Sierz | 28th Oct 2023 | London, Review, Theatre and Politics, United Kingdom
Multiculturalism, according to the Home Secretary, has failed, so where does that leave British...
Read MorePosted by Aleks Sierz | 24th Jul 2022 | London, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted...
Read MorePosted by Aleks Sierz | 26th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 6th Dec 2021 | Review, Theatre and Gender, United Kingdom
After lockdown, the stage monologue saved British theatre. At venue after venue, cash-strapped...
Read MorePosted by Aleks Sierz | 23rd Jun 2020 | London, Review, Theatre and Politics, United Kingdom
Yesterday, I took a break from my sunny local park and turned a room in my house into the...
Read MorePosted by James Montaño | 11th Dec 2019 | Review, Theatre and Religion, United States of America
At the center of the large wooden barn is a makeshift altar, wrapped in gauze and adorned in...
Read MorePosted by Aleks Sierz | 5th Jul 2019 | London, Review, United Kingdom
An armadillo is a small mammal, but this is not a play about the amazing relative of the anteater....
Read MorePosted by Aleks Sierz | 2nd Jul 2019 | London, Review, United Kingdom
In one lifetime, the many loves that once dared not speak their names have become part of everyday...
Read MorePosted by Fan Yiying | 26th Jun 2019 | China, LGBTQ+ Theatre, Review, Theatre and Gender
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
Read MorePosted by Aleks Sierz | 16th Mar 2019 | London, Review, United Kingdom
Tom Hiddleston. What can I say? His career has sprinkled handfuls of stardust from the beginning:...
Read MorePosted by Aleks Sierz | 27th Jan 2019 | London, Review, Theatre and Politics, United Kingdom
Write what you know, says the adage, and that’s exactly what playwright Ishy Din has done with his...
Read MorePosted by Aleks Sierz | 25th Jan 2019 | Ireland, London, Nigeria, Review, United Kingdom
Police stop and search activities—the harassment of young, usually black, men in the streets of...
Read MorePosted by Aleks Sierz | 21st Jan 2019 | London, Review, United Kingdom
Mainstream theatre is often a huge treasure chest, blazing with jewels and flashing lights, while...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Kasia Lech | 3rd Mar 2018 | Czech Republic, Poland, Puppetry, Review, Theatre for Young Audiences
“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
Read MorePosted by Gina Robilliard | 18th Jun 2017 | Australia, LGBTQ+ Theatre
Burlesque is an art form that has polarized Western society for centuries. In his 1991 publication...
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