Tag: Malthouse

“Homo Pentecostus:” On Queer Intimacies, Religion, Ancestry And The Human Need For Connection

Posted by Jonathan Graffam-O’Meara | 5th Jun 2024 | Australia, Review, Theatre and Religion

Music pumps; lights pulsate; two sweaty bodies sway together, touching, breathing in each other’s...

Read More

Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”

Posted by Sarah Balking | 23rd Aug 2019 | Australia, Devised Theatre, Review, Theatre and Gender

My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...

Read More

Sarah Kane’s Controversial 1990s Play “Blasted” Feels Prescient In The #MeToo Era

Posted by Jana Perkovic | 23rd Sep 2018 | Playwriting, Review, Theatre and Gender

Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...

Read More

Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates

Posted by Sandra D'urso | 22nd Aug 2018 | Belarus, Review, Theatre and Politics

Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...

Read More

“Melancholia” Artfully Brings The End Of The World To The Stage

Posted by Sandra D'urso | 3rd Aug 2018 | Adaptation, Australia, Review, Theatre and Film

Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
“Figures In Extinction:” A Dance Trilogy Report by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz 17th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
Poetry: The Realm Where Unrealized Ambitions Find… by Ivanka Apostolova Baskar 19th March 2026
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026

Recent Posts

GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026
Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben” 8th April 2026
Lyle Kessler Receives Lifetime Achievement Award In Playwriting 7th April 2026
Everything In Programming Matters To Cultivate The Spectator`S Free Will 7th April 2026
David Yazbek: The Master of Adapting Films into Musicals. An Exclusive Interview 2nd April 2026
The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre 1st April 2026
Tim Crouch’s “The Tempest” at The Globe 1st April 2026
On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames) 29th March 2026
The 2026 International Ibsen Award: A Reflection On The Winner By The Committee 27th March 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest