The Bounds, Royal Court
Every day this week I’m watching a football match, and now — after April’s production of Lydia...
Read MorePosted by Aleks Sierz | 4th Jul 2024 | Dramaturgy, Review, United Kingdom
Every day this week I’m watching a football match, and now — after April’s production of Lydia...
Read MorePosted by Irina Yakubovskaya | 28th Nov 2021 | Interview, Russia, Transmedia
This Fall, the international Theatre HD company Stage Russia enters its fifth season. With a...
Read MorePosted by Irina Yakubovskaya | 24th Jan 2020 | Boston, Immersive Theatre, Interview, Participatory Theatre, United States of America
This native Bostonian theatre production is listed in the Guinness Book of World Records as the...
Read MorePosted by Irina Yakubovskaya | 14th Jun 2019 | Applied Theatre, Interview, Transcultural Collaborations, United States of America
Established in 1997 by Leese Walker, the Strike Anywhere Performance Ensemble is an...
Read MorePosted by Irina Yakubovskaya | 31st Jan 2019 | Interview, Theatre and Gender, United States of America
Kryssi Jeaux Miller is a young woman full of surprises. Kryssi wears many hats: she performs,...
Read MorePosted by Aleks Sierz | 27th Jan 2019 | London, Review, Theatre and Politics, United Kingdom
Write what you know, says the adage, and that’s exactly what playwright Ishy Din has done with his...
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The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 
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