The Barber of Seville
The production of The Barber of Seville by Teatro Nuovo overcame the restrictions of the covid-era...
Read MorePosted by Dvir Avnon-Klein | 11th Sep 2021 | Featured, New York, Review, Theatre and Opera, United States of America
The production of The Barber of Seville by Teatro Nuovo overcame the restrictions of the covid-era...
Read MorePosted by Antigoni Gaitana | 7th Feb 2020 | Design, New York, Review, United States of America
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
Read MorePosted by Nobuko Tanaka | 24th Feb 2019 | Adaptation, Japan, News, Theatre and Opera, Transcultural Collaborations
A new opera based on the quintessentially Japanese novel Kinkakuji is set to open in Tokyo...
Read MorePosted by Jonathan Kalb | 12th Nov 2018 | Festivals, Ireland, Review
To those who feel overexposed to Waiting For Godot—which includes many theater snobs—no...
Read MorePosted by Jack Wernick | 7th Aug 2017 | New York, Review, United States of America
Acclaimed playwright Dominique Morisseau makes an auspicious Lincoln Center debut with her new...
Read MorePosted by Lauren Deutsch | 27th Jul 2017 | Los Angeles, Review, Russia, Theatre and Art, United States of America
Marc Chagall’s theatrical designs (costumes and set designs) demonstrate his love of music and sheer joy in bringing to life the fantastical creatures that live in our imaginations.
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