language Archives - The Theatre Times

Experimental Forms and Performative Research: Creating a Language For and With Young Audiences

Posted by Miriam Kičiňová | 18th Nov 2020 | Theatre for Young Audiences, Youth Theatre - A Casebook

The Slovak National Theatre generally stages the major classics, adaptations of novels, and...

“The Atlantis Project:” Creator Chris Harris on the Intersection of Culture and Climate Change in His New Audio Series for Young Audiences

Posted by Rhiannon Ling | 30th Aug 2020 | Interview, Norway, Theatre for Young Audiences, Transcultural Collaborations, United Kingdom

It’s no secret that climate change is a universal topic, a subject that has only just begun to...

Between.Pomiędzy: A Festival That Believes in Europe

Posted by Between. Pomiędzy | 23rd May 2020 | Between.Pomiędzy 2020, Festivals, Interview, Poland, Transcultural Collaborations, Translation

The Opening dialogue of the Between.Pomiędzy Festival. 5 May 2020. Octavian Saiu: I’d like to say...

Interview with Playwright David Lescot

Posted by Guillaume Clayssen | 13th Apr 2020 | France, Interview, Playwriting

Guillaume Clayssen, a fellow playwright, interviewed David Lescot on his newest piece in June 2016...

Glasses That Translate. How Is This Possible?

Posted by Philippa Wehle | 26th Sep 2019 | Avignon 2019, Festivals, France, News

Writing about non verbal communication in his book Beaux Gestes; A Guide to French Body Talk, the...

Robert Icke’s “The Doctor” at the Almeida Theatre

Posted by Mert Dilek | 5th Sep 2019 | Adaptation, London, Review, United Kingdom

“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...

Borders, Barriers and Limitations: “Lwów We Won’t Give Up”

Posted by Aneta Głowacka | 29th Jun 2019 | Poland, Review, Theatre and Politics

Standing on the edge of a meadow and a forest, the spreading lime tree in the opening scene of the...

“White Pearl” at The Royal Court

Posted by Aleks Sierz | 28th May 2019 | London, Playwriting, Review, United Kingdom

Royal Court’s Artistic Director Vicky Featherstone’s commitment to staging a diversity of...

“Jude” at The Hampstead Theatre: Adaptation of Thomas Hardy’s 1895 Tragic Novel, “Jude The Obscure”

Posted by Aleks Sierz | 13th May 2019 | Adaptation, London, Review, United Kingdom

Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...

Performatik 2019 – Towards Indisciplinarity

Posted by Rathsaran Sireekan | 6th May 2019 | Belgium, Essay, Festivals, Participatory Theatre, Theatre and Art, Transmedia

The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...

Shakespeare In South African Schools: To Die, To Sleep–Or Perchance To Dream?

Posted by Chris Thurman | 30th Dec 2018 | Interview, South Africa, Theatre and Decolonization

South Africa’s education authorities are reviewing the school curriculum. Basic Education Minister...

“Memorial” Is A Shattering Excavation Of The Scars Of War Through Poetry, Dance, And Mind Blowing Score

Posted by Julian Meyrick | 19th Mar 2018 | Adaptation, Australia, Festivals, Review

Arthur Danto, in his Analytic Philosophy of History, calls the common noun “scar” a...

The “Masking” of Immigrant New Zealanders

Posted by Harry Ricketts | 12th Feb 2014 | New Zealand, Review

Historically, geographically, culturally – there are many points of comparison between Australia...

Tag: language

Experimental Forms and Performative Research: Creating a Language For and With Young Audiences

“The Atlantis Project:” Creator Chris Harris on the Intersection of Culture and Climate Change in His New Audio Series for Young Audiences

Between.Pomiędzy: A Festival That Believes in Europe

Interview with Playwright David Lescot

Glasses That Translate. How Is This Possible?

Robert Icke’s “The Doctor” at the Almeida Theatre

Borders, Barriers and Limitations: “Lwów We Won’t Give Up”

“White Pearl” at The Royal Court

Shakespeare In South African Schools: To Die, To Sleep–Or Perchance To Dream?

“Memorial” Is A Shattering Excavation Of The Scars Of War Through Poetry, Dance, And Mind Blowing Score

The “Masking” of Immigrant New Zealanders

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