Diego Garrido Sanz’s “Violencia” (Violence) at the Centro Dramático Nacional: exploring the possibilities of restorative justice
How do we learn to forgive, especially in the aftermath of a massacre that has no rational...
Read MorePosted by Maria Delgado | 26th Dec 2025 | Review, Spain
How do we learn to forgive, especially in the aftermath of a massacre that has no rational...
Read MorePosted by Jonathan Kalb | 14th Oct 2025 | Adaptation, Review, United States of America
James Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
Read MorePosted by Aleks Sierz | 30th Sep 2025 | Documentary Theatre, Review, Theatre and Politics, United Kingdom
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Read MorePosted by David Turner | 20th Nov 2023 | Documentary Theatre, Review, United Kingdom
Dear England, a play about football manager Gareth Southgate, immaculately encapsulates the light...
Read MorePosted by Aleks Sierz | 3rd Jul 2023 | Review, United Kingdom
James Graham’s Dear England at the National Theatre: Joseph Fiennes plays a mesmerizing soccer manager in this sport-of-the-nation drama
Read MorePosted by Mert Dilek | 8th Dec 2022 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
TV is a strange medium, but James Graham is no stranger to its toxic charm. London audiences have...
Read MorePosted by Aleks Sierz | 25th Apr 2018 | Documentary Theatre, London, Participatory Theatre, Review, United Kingdom
It’s been a golden week for James Graham, British theatre’s wonder boy. After winning an Olivier...
Read MorePosted by Jane Clinton | 11th Apr 2018 | London, News, United Kingdom
Hamilton swept the board at the Olivier Sunday night clinching seven awards including best new...
Read MorePosted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom
Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...
Read MorePosted by Conrad Landin | 5th Dec 2017 | London, News, United Kingdom
A play inspired by Who Wants To Be A Millionaire’s “coughing major” is set to transfer to the West...
Read MorePosted by Gary Shipton | 20th Nov 2017 | Festivals, London, Playwriting, Review, United Kingdom
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
Read MorePosted by Adam Sherwin | 16th Oct 2017 | London, Review, Theatre and Politics, United Kingdom
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Nobuko Tanaka | 13th Sep 2017 | Japan, Musical Theatre
“All the world is made of faith, and trust, and pixie dust.” In those few words the Scottish...
Read MorePosted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
The recent general election result proves that the power of the rightwing press has diminished...
Read MorePosted by Adam Sherwin | 7th Mar 2017 | Theatre and Politics, United Kingdom
The story of the “coughing Major” who cheated to win the Who Wants To Be A Millionaire? jackpot is...
Read MorePosted by James Graham | 10th Dec 2016 | News, Theatre and Politics, United Kingdom
The danger of writing political plays is that reality, of course, has a habit of overtaking you....
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