Godless Clergy Members in “The Unbelieving”
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
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Tag: Islam
Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre
Wrapped in COVID-Safe vigilance, Australian theatre has cautiously begun to welcome back...
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About “A Coin In Someone Else’s Pocket”
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
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“Trojan Horse” at the Battersea Arts Centre
Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press,...
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“A History Of Water In The Middle East” at The Royal Court
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
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Nyla Levy’s “Does My Bomb Look Big in This?”: Coming of Age Amid Islamophobia
Aisha and Morgan have to go to school one day in August, like almost every other 16-year-old in...
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Martin Askew’s “There Is A Field” at The Theatre 503: Modern Conversion Play
The events of 9/11 were a global wake-up call — and that includes theatre. In the wake of the War...
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Zadie Smith’s “White Teeth” at The Kiln Theatre
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith’s...
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“Alkaline” at The Park Theatre
Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples...
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“The Mecca Tales” in New York
The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...
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Queer Chronopolitics: Forests, Freaks and Performativity
The term ‘freak’ thus refers not only to bodies, but also to denormalizing social...
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Review: “Disgraced” Turns West-Meets-Islam Divisions Into Striking Melodrama
Ayad Akhtar’s Disgraced has arrived in Sydney from America on the back of international...
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Q And A With Author Of “The Tribe”: Michael Mohammed Ahmad
This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...
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