Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
Read More
Tag: iran
“Woman, Life, Freedom: Theatre and Protest in Iran”: A Virtual Roundtable in Honor of World Theatre Day
Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...
Read More
Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read More
Digital Play Dissecting Consumerism Culture, A Review of “Rich Kids: A History of Shopping Malls in Tehran”
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
Read More
Review: “UnTuned” (Golvareh)
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
Read More
Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
Read More
Amid the Waters: Afghan Stories Stream Diversity on the Iranian Stage
I saw Amid the Waters amid the hustle and bustle of Tehran’s downtown at Tehran City Theatre...
Read More
Theaters in Iran Reopen Amid COVID-19 Concerns
After four months of closure, theaters in Iran are able to open because they implemented necessary...
Read More
Musicals Dominating Tehran’s Theaters: The Box Office’s Popular Trend
A look at ongoing productions on Tehran’s stages shows a growing interest in box office hit...
Read More
Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert
The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...
Read More
Theatre of Inquiry: Matei Vișniec’s “Richard III” Takes Place in Tehran – Interview With Rūhollah J’afarī
About this performance and its director also read Self-Censorship Is a Castration of Ideas: A...
Read More
“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
Read More
Russia Meets Iran: J’afari, Vișniec and Meyerhold, Partners of Ideology, Traversers of History
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
Read More
Working Off-Script: Transgender Awareness in Iranian Black Box Theatres: An Interview with Sāmān Arasṭoo
February 15, 2019, Café Markov, Tehran, Iran Sāmān Arasṭoo is an Iranian actor and theatre...
Read More
The First Middle Eastern Theatre Photo Exhibition At The University Of Toronto, Spring 2019
On January 11, 2019, the Centre for Drama, Theatre and Performance Studies at the University of...
Read More
Creating a Space for Repeating a Domestic Nightmare: A Note on the Performance of “You Were Occupied with Your Dying”
The privatization of theatre in Iran has compelled many theatre directors and producers to become...
Read More
Going To War And Making Revolution At The Bâtard Festival
Cezary Goes To War by Cezary Tomaszewksi and Tell Me About The Revolution by Farbod Fathinejadfard...
Read More
Kampala International Theatre Festival, 2018 Edition
The venue is the Uganda Museum and performances from Kenya, India, Iran, UK, USA and the host nation will be staged. Below are teasers of some of the scheduled performances.
Read More
Tokyo Festival Looks To Throw Open Some Doors With Fringe Elements
If the inclusion of Festival/Tokyo in Tokyo Festival’s diverse program of performing arts is any...
Read More
The State Of Artistic Freedom 2018
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...
Read More- 1
- 2
Like Us On Facebook
Most Popular Posts
- “The Phantom Of The Opera” Returns To Mexico: A… 12th December 2025
- The Theater of Metaverse 10th May 2025
- Frantic Assembly’s “Lost Atoms” at the… 9th February 2026
