Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MorePosted by Kuan-Ting Lin | 19th Nov 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MorePosted by Sakina Mirichii | 30th Nov 2023 | Essay, Kenya, Theatre and Decolonization
In recent years, there has been a growing movement towards promoting and preserving indigenous...
Read MorePosted by Jonathan W. Marshall | 18th Feb 2022 | Australia, Review, Theatre and Politics
Aboriginal and Torres Strait Islander readers are advised this article contains names of people...
Read MorePosted by Capital Critics' Circle | 23rd Feb 2021 | Canada, Playwriting
November 26, 2020 – OTTAWA (Canada) – Ntlaka’pamux playwright Tara Beagan has been named the 2020...
Read MorePosted by Leigh Boucher | 9th Nov 2020 | Australia, Playwriting, Review, Sydney
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
Read MorePosted by James Montaño | 19th Jul 2019 | Adaptation, Boston, Review, Spain, Translation, United States of America
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
Read MorePosted by David Williams | 25th Jan 2014 | Australia, Festivals, Review, Sydney
In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...
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