Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
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Tag: Ibsen
K.S. Rajendran’s “Ghosts” Explores Human Relations
Directed by K.S. Rajendran, Ghosts explores the moral dilemmas of a dysfunctional family. We...
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It’s Easy To Become An Enemy Of The People When Speaking Truth – In Historic Drama, And Today
A doctor speaks about events they think will put public health at risk. Instead of responding with...
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Stef Smith’s “Nora: A Doll’s House” at the Young Vic
A woman walks into her home. Then does another. And another. Stef Smith’s Nora: A Doll’s House is...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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“The Modern on Stage / The Dream of the House”: An Interview with Jan Pappelbaum, Set Designer at the Schaubühne, Berlin
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
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The Development Of Israeli Theater–A Brief Overview
In comparison with West European theater, Hebrew theater is young: only a century separates the...
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Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
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Keiko Miyata To Mark Departure From The New National Theatre, Tokyo, With Piece By Up-And-Coming Playwright
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
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Swedish Premieres: Upending Ibsen, Deconstructing Richard
On a recent trip to Sweden to interview the playwright Jonas Hassen Khemiri, whose plays are now...
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Ten Pieces Of Advice For The Emerging Artist: The Beginning Of Intiman Theatre
When one wants to begin a career in theatre professionally, what tactic could they use? As an...
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A Place To Be Seen: Global Queer Plays At The Arcola Theatre
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
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Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
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Avignon Part 7: Ibsen Reinvented – Simon Stone’s “La Maison d’Ibsen”
Ibsen Huis (La Maison d’Ibsen) Directed by Simon Stone, dramaturgy and translation by Peter van...
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“Bidehi” or Ibsen’s “Ghosts” in Bengali: A Rare Experience of Translation/Adaptation on Stage
It was a socialite evening at Uttam Manch on 14 January, while the mercury was dipping low, making...
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“A Doll’s House”: Actors in Reality Theatre
A lonely corner at night in the London neighborhood of Hackney. A group of strangers meet,...
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The American Tour Of Contemporary Romanian Female Artists: Empowering Women
On the nights of November 18 & November 20, 2016, at Here Arts Centre, NYC, I was being...
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“An Enemy of the People”: The Egyptian Experience
It was September 2012 that I had decided to stage An Enemy of the People, by Henrik Ibsen. A play...
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Sebastian Kreyer’s Staging of “Ghosts”
I’ve complained a lot in previous reviews about directors staging tragedies as comedies. But...
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