“Waiting for Gretchen: Faust” – Teater Republique
Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...
Read MorePosted by Peter M. Boenisch | 24th Oct 2020 | Adaptation, Denmark, Review, Theatre and Gender
Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...
Read MorePosted by Mert Dilek | 7th Feb 2020 | Adaptation, London, Review, United Kingdom
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
Read MorePosted by Shimon Levy | 15th Mar 2019 | Essay, Israel
In comparison with West European theater, Hebrew theater is young: only a century separates the...
Read MorePosted by Alexa Alice Joubin | 18th Apr 2018 | Adaptation, Essay, Translation, Worldwide
In A Midsummer Night’s Dream, when Peter Quince sees Bottom turned into an ass-headed figure, he...
Read MorePosted by J Neil Garcia | 4th Mar 2017 | Adaptation, Philippines
Dulaang UP’s current production, Rody Vera’s Filipino adaptation of Faust, directed by José...
Read MorePosted by Ágnes Bakk | 20th Dec 2016 | Dramaturgy, Immersive Theatre, Interview, South Korea, Transmedia
Peter Lee is the founder of NOLGONG, the Seoul-based game design company, which is also producing...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 



Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 