“Strength, Don’t Let Yourself Be Anyone’s” – BITEF, Belgrade, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
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Tag: Germany
Bess Wohl’s “Camp Siegfried” at the Old Vic: Powerfully Chilling and Resonant
Are we too obsessed with Nazism? Apart from countless television programs which revisit that grim...
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Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
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Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
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Performing Again: An Interview With Michael Vogel And Familie Flöz At Schiller Theatre
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
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Listening in Detail – Alma Söderberg
Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...
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Stage Design: Tradition of Diversity
Germany has more theatres and concert halls than almost any other country in the world. From its...
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The Crisis Stage
In times of crisis, we see just how closely reality and fiction really are. What seemed like a...
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A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
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Denying A Harsh Reality in “The History of Violence”
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
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“The Eighth Life (for Brilka)”: Dark Chocolate
The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...
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How to Stage an Opera? Summer Munich Opera Festival as a Role Model
Summer in Europe is the time for performing art festivals. Avignon in France or Edinburgh in...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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A Look At Three International Performances That Will Feature At The Little Festival
The Little Festival’s 10th edition has an interesting line-up of international productions for...
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Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
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“Stimmen des Kiezes”: A Site-Specific Movement–Text Collage in Berlin-Friedrichshain
In the middle of the vibrant Berlin district Friedrichshain, well-known for party tourism, hipster...
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“Our Stage: European Bürgerbühne Festival”: Day Five, Wednesday
Pending Vote is a fully-interactive performance from Catalan director Roger Bernat, with a text by...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“Our Stage: European Bürgerbühne Festival”: Day Three, Monday
Heavy rain has restricted the opportunity to take a city walk around Dresden with festival...
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“A German Life” at The Bridge Theatre
Maggie Smith is not only a national treasure but every casting director’s go-to “old bat” (her...
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